I've been fortunate that when Frank Sinatra was in concert, he would say, 'Here's a song by a wonderful young songwriter, Jimmy Webb,' and I'd be in the front row and stand up. That gets people talking about you.
Someone told me about drama schools, and they seemed like mythological places - you can really go and be in drama classes all day? I inadvertently entered into this world where people wore bicycle clips and did song-and-dance routines in the corridor...
I don't play an instrument - I just write in my head, and I usually hear fully formed songs. 'We Are Young' turned out so much like it was in my head. But it also exceeded all my expectations.
Almost all the producers I know and dig, like Quincy Jones or Brian Eno, are really musicians first. I'm a composer, an orchestrator, an arranger and a musician first. I know how to write and rewrite songs, and the genius is really in the rewriting.
I'm doing a fun EP. It's called 'Songs in the Key of Phife: Eight Is Enough.' It's radio-friendly, but then a lot of it just has that raw hip-hop. Some of it will be vintage Tribe, but for the most part I'm just letting my voice be heard.
When I sit down to write a song, it's a kind of improvisation, but I formalize it a bit to get it into the studio, and when I step up to a microphone, I have a vague idea of what I'm about to do.
When I first started drumming, when I was 14 or 15, I started writing songs. I wrote for a couple of years, but when we started 'Radiohead' it became very apparent quite quickly that I just wanted to concentrate on the drumming.
I take my hat off to people like the Stones, but it's not for me. I couldn't do that. Jagger is brilliant and long may he rock. I couldn't make my career out of old songs; it would do my head in.
So I figured in keeping with the record, I'd do something off the wall which is show up for free and wing it... I don't know, I'm just going to play some songs. I think it'll be fun.
Silent. So it should be. You have no place in this world, Luthiel. And there is no other.' Zalos reached out and lifted a few strands of her hair. 'Bright songs and the magic of hope are but a dangerous illusion. The fake comfort of witches charms.
A song she heard Of cold that gathers Like winter's tongue Among the shadows It rose like blackness In the sky That on volcano's Vomit rise A Stone of ruin From burn to chill Like black moonrise Her voice fell still...
You used to make me feel like I could walk on water Now most nights I'm just sinking down and down You're the reason why I can't listen to the same songs I used to
There are still blue skies and rainbows and days bathed in sunlight. There are colorful shade trees filled with sweet bird songs. And there are wishing stars in the heavens as well as angels in God's service. So lift up your eyes. Refuse to be unhapp...
Missing someone is the reverberating echo of everything beautiful about her—her laugh, her song, her touch, her smell, the power of her words, and the constant shadow that lingers on as her perfect image in your memory.
At school, I was always daydreaming and fiddling in inkwells, but I had to learn to grow up and become articulate. And doing that was what brought me into writing songs. It's like therapy for me, because it exposes what I'm really thinking.
Working on solo material is something I had always dreamed of doing, and I'm incredibly happy with the results. 'Everything To Me' is a very personal song to me lyrically; it is such an upbeat and optimistic record, perfect for the summer. I can't wa...
I never really focus on writing for other people, to be honest. Every song I've ever written was for me to sing. Maybe if I'm writing for a rapper, but I'd still write it as though it was for myself and then sometimes I'm actually asked to do the par...
I started writing lyrics out of desperation. I was broke and wondering where my next job, my next meal was coming from, although I had had several successful revue songs on Broadway.
I met Arcade Fire on their first record, 'Funeral.' I loved that record, and it was a record I was listening to while I wrote 'Where the Wild Things Are.' Those songs - especially 'Wake Up' and 'Neighbourhood' - there's a lot of that record that's ab...
One of the greatest tools you have as a songwriter is anonymity. If someone knows too much about the songwriter, they don't get to insert their own characters. I don't want the audience thinking about the gay guy who wrote the song.
My mother taught me my first bhajan. My mother, Shobha Nigam, was a very religious woman. From her only I learnt 'Om Jai Jagdish' song and used to do puja along with her.
