Some people might go to the gym and swim laps, but I write songs. Every single day, I write something new and record it.
Songs are like children. They are all special to me - you can't just pick a favorite. Of course, 'Lucky Man' was a special tune with a wonderful story behind it. They have all done different things.
In the early days, I had very little idea about arrangements, and I wrote songs a little flat, as it were, just on an acoustic guitar. They didn't really have quite enough nuance.
I have always been fascinated by dark and mysterious stuff. I guess I have a pretty dark and gloomy side. Writing songs saves me from going completely gonzo.
I start a lot of songs and throw them out because the energy is not right. It's almost like the file becomes cursed. I have to delete it.
When I'm making a song that's very Grimes, it just feels very insular and it feels weird to have someone else do something on it.
When I first decided I wanted to make beats and write songs and stuff like that, it wasn't like I sat down and the first thing I wrote was even halfway legit. It took a while to find my way through it.
Sometimes you try a song and people don't respond, or you tell a story and you just hear crickets. But when you play thousands of shows, you start to refine stuff.
Yes, I did lock myself in my room for about two years and write some songs and things like that. But I don't feel like I missed out on a whole lot.
I think that once you start writing songs, you start developing a library of ideas that you can go and take from, so it gets easier as you go.
The real challenge of writing songs isn't just writing a bunch of parts - like a verse, chorus, verse - but making something that flows together, that brings you back.
I call it sacred geometry. When everything's just right and it feels really balanced, so that when it unfolds to the next part, you feel totally familiar and at ease within the song.
I don't have to worry about any pop sensibility. I can write adult songs, and I don't have to worry about choruses and hook lines.
Well, yeah, I wanted to resist the urge to thicken everything up with instrumentation, because I just felt like I was interested in seeing how the songs did on their own.
Love can flow like the river, fly with the bird, sing with the crickets at night. It is in the energy of the river, the flight of the bird, the song from the cricket. There is nowhere where love is not.
When I write a song, I tap into the emotion and the feeling and then I use the emotion to write the words. It's the opposite when I act. I use the words and tap into the emotion.
I'm an older woman who's not going to have a shiny pop song ever again, so that gives me license to do whatever the hell I want.
My favorite song is 'No Air,' a duet I did with Chris Brown. I don't want to sound weird or anything, but I listen to it a lot - it's always on my iPod!
Me and Jerry left because we felt we weren't getting anywhere playing our old songs in tiny clubs. The group was getting stale and staying behind the times.
Senorita was fun to sing, but I don't really have a favorite. When you write a bunch of songs, they're like your babies. You don't pick favorites.
You just went right in and just recorded songs and listened them, and if there were any mistakes, then we would correct them and just went on... one take or two take.
