I do a lot of editing and switching around and putting little pieces together to get the right mood and personality, and it takes me forever to get a song finished.
I don't think there's anything wrong with not knowing how to play an instrument, but the rise of the non-musical producer has done away with musicianship and focused attention purely on the song's hook.
When people think of someone being prolific, it's like, 'He's got a vault with 5,000 songs in it,' or something, but I just kind of pick them out of the air when they float by.
The Temper Trap's 'Sweet Disposition' is an invigorating song. It's my mental cue to let go of stress, disconnect from my career and connect to my body and my spirit.
I don't think I had the aspiration to be a star growing up. I loved Madonna and Bette Midler, and I had my karaoke machine and would sing their songs.
The process depends on the situation, and I don't think there are any two songs that have gone exactly the same way... well, actually, that's not true.
My favorite period is when we lived in the land of the three-minute song. The Motown thing - I thought they were genius in knowing that's as much as a listener can take.
The only thing they really get to pick is the single. But I get to pick the producer, the songs on the record, the final masters, the artwork. Basically, I hand them a record.
I think songwriters are more related to fiction writers. The Odyssey was a story in song. To me, that's so beautiful, all those painted characters, all those travels and adventures.
I hardly ever listen to any of our old stuff now. Once the songs have been recorded and put on to vinyl they become someone else's entertainment, not mine.
Composers now just don't have the depth of inspiration for melody. Most of the lyrics of the pop songs you hear today are repetitious. They're almost nursery rhymes, as if written by children - which they are.
When it comes to sitting down and composing, there is no hesitation, no concern, no critics breathing fire down my neck. For me, writing a song is the purest part of all. No one can mess with that.
I've written songs for Shirley Bassey, Marianne Faithfull, and Linda Thompson. I sort of focus on these wonderful, aging divas. But maybe that's because I think I'm Christina Aguilera.
There is no end to the things you don’t understand. The mind will search for a lie to give it an answer you can understand, but one song at the right time will challenge what you accept.
Grace will meet you in the valley, and her song will carry you home on the wind to another sky filled with ethereal beauty unfolding and love everlasting.
I feel like my songs are like diary entries for me. So I usually write about things that have happened to me specifically or sometimes it can be someone who's close to me.
My retirement, back in 1976, began as a one-year boycott to challenge the media on that question. I refused to return until the media, and radio stations in particular, got a hold on identifiably Canadian songs.
It was like orderin a hamburger and getting only the buns" (After Brooke White of season 7 on american idol sang the song 'Hero' by Mariah Carey)
I'm very conscious of developing my singing, technically and stylistically. I want it to become more individual, express more of me. That's my goal. These songs are steps along that way.
I'm a sensitive guy. If you are a woman and you're in any kind of emotional duress and you write a song about it, I'll buy you album.
I think Katy B encapsulates young London in a way I never could. She reps London harder than anyone song-wise since Lily Allen.
