As long as my pictures go into theaters and we ask people to pay to see what I do on the screen, I should not object if customers want to know what kind of man I am.
I enjoyed acting growing up; I did musical theater. I had a secret desire to be a television and movie actress, but it wasn't something I admitted to myself that I wanted to do, I guess.
I moved to Chicago and I did theater, and then I started writing and I stop acting and I did sketch. You know, I did all of the things that, if you were serious about doing television, don't do.
When I showed up at UH, my hair was past my waist. I had a goatee. I wasn't a theater geek; I wasn't an actor. But Cecil Pickett molded me and taught me.
I think film requires a lot more patience and concentration and each day you're keeping the entire picture in your head throughout a two to three month film shoot. Whereas TV, especially half hour, is like doing a play a week or live theater.
At some point, when I was 14 or 15, the idea crossed my mind to become an actor... I hadn't been to the theater much... When I grew up, we had one TV channel, which was sufficient.
And that's what people want to see when they go to the theater. I believe at the end of the day, they want to see themselves - parts of their lives they can recognize. And I feel if I can achieve that, it's pretty spectacular.
'The Fever' is a one-person play. I decided I would perform it myself, and I decided I would not perform it in theaters, because the character in the play says certain things that I meant.
I thought that my movie career was finished. I was quite happy to dedicate myself 100% to the theater. Surprisingly enough, I've never gotten so many work offers. It's so exciting, this feeling of a new beginning after 40.
I don't watch a lot of my work. I'm not really interested in seeing it after I do it. Because I came from theater, where, you know, it's impossible to actually review your work, so why would I bother under any other circumstances?
The thing about theater that always and still kind of makes me edgy is that you work and work and work and work, and then you're just in performance mode, and then you have to just be on; the work is done, and then you just have to do it over and ove...
The Australian film industry is a small industry, so you have to really be flexible within working in different mediums. A lot of actors work in theater, film, and television, because there's not much opportunity in terms of employment there. So you ...
I had to drop a boulder to wake people up about the A.R.T. We've done that, and now we have audiences again who want cutting-edge work, who want to be challenged, but who also won't be falling asleep at the theater.
The joy of my career is I've been very blessed to be able to be an actor in major films, television, theater, and also British radio. In fact, my dream as an actor when I started out was to be able to work in all the media. Thankfully, that's what I'...
My background is a small town with no movie theater. So... I always pictured myself onstage. I went to acting school and learned all the skills. I left early because I did my first movie and discovered that I really loved the minimalistic work with t...
At early previews, the theater gossips are there, wishing you ill every night. They don't grant you any slack. Agents are in from Hollywood. Your friends are there. People who are going to spread the word-of-mouth. If something doesn't work, everyone...
I remember sitting in the theater watching 'Bridesmaids,' and I'm doubled over laughing, and then I'm crying in the same movie. It's the overwhelming feeling, as I'm looking up and seeing these women, and I'm realizing how rare it is to see that.
My first paying gig was a play called 'The Voice of the Prairie' at a theater that no longer exists in Chicago called Wisdom Bridge. I played a fast-talking radio huckster - a salesman of crystal sets in the 1920s - and I actually won an award. Look ...
Foulfellow: [Picks up Pinocchio's schoolbook and apple, which he eats] Well, well. Quite the scholar, I see. Look, Giddy. A man of letters. Here's your book [hands book to Pinocchio] Pinocchio: I'm going to school. Foulfellow: School. Ah, yes. Then p...
I never wanted to work in fashion. At age 12 or 13, I wanted to design for showgirls - for the theater! And I was crazy for the Hollywood of the 1950s: Dietrich, Elizabeth Taylor, Jennifer Jones. They were my idea of glamour - and Sylvie Vartan, the ...
My wife, aside from being amazing in general, was really the catalyst in this, and I really owe a lot of the move to New York to her. She reminded me I've always wanted to do move to New York for theater and said, 'Let's stop talking about it and do ...
