I need to go someplace faraway that doesn't have telephones and doesn't have a record player and doesn't have movie theaters and people walking down the street in order to not do anything.
The show can go on without me, and probably will, but I want to come back to act in Chicago. My wife and I just bought a condo downtown, and I want to do theater.
Corporate Hollywood thinks I'm a geek to go back and do theater. They don't understand why I don't want to be a movie star, why I'm not pursuing Mel Gibson's roles.
After high school, I went to VCU and got a B.F.A. in theater. I got to do a bunch of stuff professionally throughout college. I actually got my SAG card in college.
The biggest audience for Off Broadway is mostly coming in on a train - either Upper East Siders or Metro-North. I go to the theater, and everyone around me is over 50. How interested will they be in my kind of work?
I've never traveled to promote anything I've been in. I've only been to about two or three premieres. The way I work, I do bits, and then I'm off to something else, whether it's theater or another project.
By 1949, there was no more work for me out there, and I went to New York in 1950 and just did whatever I could. Mainly television. Some Broadway. A lot of dinner theater work, which is not a very satisfactory medium.
Cary Grant was wonderful to work with on stage. He would move downstage, so that as he looked at me the audience had to look at me, too. He knew a lot about the theater and how to move around. He was very secure.
IMDb only lists specific projects. It doesn't list theater, commercial, and most non-union work. You also have to pay to upload your reel to most sites, and some places still make you walk your DVD into their physical location.
Many theaters are tackling the multifaceted work of black writers - established and emerging. Now the next step is for them to bring in audiences of color and continue to go out to our community and create a continuous connection that extends beyond ...
I'm not photographing the model in the classic sense; the model is playing a part in my photographs. It's more like theater. I always work with models I know, and I let them participate in deciding how to act their part.
I had a brief theater background and loved the backstage world there's more backstage work in television, so I saw a job advertised and applied, and got it. That was back in 1977, when getting jobs was easy.
I'd also like to do a play. I've never done theater, and constantly changing and refining a performance is something I'd like to do, even though it may sound like work to some people - and it probably is work.
I know that every actor that I know, when Daniel Day-Lewis does a film, and he doesn't work that often, but we run to the theater to see what he's up to, and with such delicious excitement. The same goes for Meryl Streep.
I think women are in much the same place in the Irish theater as they are everywhere else. Certainly, we have wonderful Irish writers, and we have quite a number of Irish women directors. But there could be more, and there should be more.
There are days when I think the National Endowment for the Arts should issue a quota system for the production of plays by women - especially when you realize women buy 70 percent of all theater tickets.
As soon as I read that, it clicked: that's my theater of war. It was exciting to think that I could write about World War Two from a totally new place.
Like Afghanistan before it, Iraq is only one theater in a regional war. We were attacked by a network of terrorist organizations supported by several countries, of whom the most important were Iran, Iraq, Syria, and Saudi Arabia.
Jiminy Cricket: All right, then, here's what we'll tell 'em. You can't go to the theater. Say thank you just the same - you're sorry, but you've got to go to school. Pinocchio: Mmm-hmm. Foulfellow: Pinocchio! Oh, Pinocchio! Woo-hoo! Jiminy Cricket: H...
Regardless of the nature of the conflict, one basic rule translates into most Conflict Zone “Theatres” that doesn’t make it into Movie Theaters is that the food runs out faster than the bullets.
I came from a really musical family. I studied classical piano because my grandparents were piano teachers, but started doing musical theater at age nine in Fresno, California, and went to a performing arts high school. That was my life.
