I had a job at a movie theater for like a year and a half and then a job at a health food store for, like, two years. Those were the only two jobs I ever had.
I love dive bars, old movie theaters, live music and good food. The simplest things in life for me are the most important.
You must not demand the failure of your peers, because the more good things that are around in film, in television, in theater - why the better it is for all of us.
I'm from Chicago, my family started a chain of movie theaters in Chicago that were around for 70 years and then one of them became the head of Paramount and the other was the head of production at MGM and we all came out of Chicago.
My mother came from an Irish family of 11 kids and, of course, had a sister who was a nun, so I spent time at a convent and with an aunt and uncle who lived in New York and took me to the theater.
I was shy and didn't believe in myself, and I only bloomed when I was in theater during rehearsal. And that's how my family found out that that's where I needed to be, because that's where I felt the most comfortable.
Hallmark makes beautiful films that feel as if they should be watched in a theater. The Hall family knows the power of stories, and they give us unforgettable movies with heart and depth and the resonance of classics.
When I was 13, I moved from New Jersey to Germany with my family. The high school was so supportive of my dream to continue with my theater training; instead of taking PE, I would get credit for dance lessons.
It's nice because working in England I'm know for working in television and theater when you get a chance to come out, it is quite fun to be out from behind the mask. You need to let people know who you are.
Do theater. Because you'll develop a craft that you'll always have. It'll give you a chance to really learn how to act and you won't go into the world with a few measly tricks that will only carry you so far.
You start in bars and then restaurants, then you want to get into comedy clubs where you feature, then you headline, and once you sell out clubs you're into theaters. I've been able to get there, and it's cool to do that.
I always wanted to have a career that would keep me at home in New York so I can work in the theater all the time and be involved in the creative process from the ground up.
I learned how to turn it on and turn it off. You learn that in theater, too, but for film work, I learned from doing 'Henry,' I learned how to leave work at work and go home. There's always spillover. Actors speak of this.
If I were to just focus on stand-up, I could actually, paradoxically enough, be home way more, because I would leave on a Friday, go do a couple theaters Friday, Saturday, maybe Sunday, come home.
Sure, theater is tough because you're not home at night a lot and you work on weekends - every job has its downside. But to do something that you love doing for two hours a night, that's a pretty sweet gig.
You should remember that I started as a fanboy many years ago; I saw 'A New Hope' more than twenty times in the theater. I saw 'The Empire Strikes Back' nearly thirty times.
Theater criticism should be visceral, at least on some level, an articulation of that fierceness and passion. I usually do a fair amount of research before I see a show - on the history of previous productions (if it's a revival) and the creative tea...
If I can sell out clubs and theaters and play dirtbags in movies, and get blown up in a car or get the crap beat out of me in a movie, that's good for me; I'm good.
I realized that after years of studying Shakespeare and Chekhov and regional repertory theater, what I really wanted to do was bust in and rob a bank and jump in the screaming getaway car and tear through the city and get in a shootout.
One of the things that's great about New York is that it is not a one-industry town. It has education, academia, the service industry, arts, publishing, theater, politics, fashion, finance, as well as movie-making.
My sister and I used to act as maids and waitresses at my great aunt and uncle's cocktail parties, which were very much sort of retired, minor stars of the Yiddish theater and the Yiddish opera.
