I tend to prioritize emotional realism above the known laws of time and space, and when you do that, it's inevitable that strange things happen. Which can be quite enjoyable, I think.
I'm not somebody who carries around a notepad and writes songs all day long. I don't imagine everything I think of is worth being in a song. So I tend to collect notes, and I set time aside to go to work and write songs.
I tend to eat things in fours. I'll eat four nuts, four grapes, four chips at a time. I don't know why. It's not really a superstition. I don't think anything bad will happen if I don't, but three potato chips doesn't seem right.
Obviously, the Sixties was a time when everyone wanted to experiment, and then everything became very formulated and corporate, so artists tended to get pushed into a kind of pattern. Now, I think that has continued with the emergence of televised ta...
English writing tends to fall into two categories - the big, baggy epic novel or the fairly controlled, tidy novel. For a long time, I was a fan of the big, baggy novel, but there's definitely an advantage to having a little bit more control.
If you're a prosecutor, and you believe the defendant is guilty, you only talk about ultimate truth, but not intermediate truth. If you're the defense attorney, you care deeply about intermediate truth, but you tend to neglect ultimate truth.
I have always distrusted memoir. I tend to write my memoirs through my fiction. It's easier to get to the truth by not claiming that you are speaking it. Some things can be said in fiction that can never be said in memoir.
I tend to splurge on fancy dresses because I always think I'll get a lot of wear out of them, but it's false logic. You should really spend more money on the things you wear every day, like jeans.
My unrealized ambition is to tend my vines, produce wine, and work like an artisan. I dream of rediscovering the old traditions and customs of wine growing, not necessarily to deny the technology which we have today, but to harness it and work in har...
There is an electric fire in human nature tending to purify - so that among these human creatures there is continually some birth of new heroism. The pity is that we must wonder at it, as we should at finding a pearl in rubbish.
I tend to look out for things with a resonance to my youth - artists or objects that seemed romantic all those years ago. I never buy anything purely for its value. I like possessions that smile back at me.
We tend to think of science as finding equations, like E=MC2, that are simple and elegant. But maybe some theories are complicated, and we can only find the simple ones.
For watching sports, I tend to drink Guinness; early evenings always begin well with a Grey Goose and tonic with plenty of lime; and on a cold winter's night, there's nothing quite like a glass of Black Maple Hill... an absolute peach of a bourbon.
The more expensive and/or exclusive a sport, the whiter it tends to be: the fact almost has the force of a law. That is the main reason why the Rugby World Cup, the Pacific islands excepted, was so desperately white, the Springboks included.
I have to have a character worth caring about. I tend not to start writing books about people I don't have a lot of sympathy for because I'm just going to be with them too long.
There tends to be this hierarchy of film and television, and theater is somewhere else in its own milieu. However, as actors, yes, we love to do theater because it's our story. Nobody can edit it, the curtain goes up, and it's ours for two hours or t...
I tend to support and get behind issues instead of candidates, because of the whole 'Super Bowl' generalization of our world - You're on this side, I'm on that side; you're a Republican, I'm a Democrat; you're country music, I'm rock music.
Although cover notes for classical music albums tend to say that the trill of flutes suggests mountain streams and so on, I don't think anybody listens to music with the expectation that they're going to be presented with a sort of landscape painting...
When playing big festivals, I tend to play big, over the top techno tracks, like hands in the air songs that make sense being played in front of 30,000 people. I steer away from subtlety in the interests of big bombastic dance music.
Anything that keeps you happy and writing is part of my writing ritual: I like music, so I tend to have it playing in the background. But if I'm interested, I can write in an airport waiting areas.
When I started out, I preferred to watch my films without music, as its presence tends to mask the underlying pace of the film. I felt I could feel the rhythm of the film better without music to influence me.
