We know in the field of aging that some people tend to senesce, or grow older, more rapidly than others, and some more slowly.
While I tend to keep embellishment minimal as my clients often possess some of the finest jewellery, I enjoy creating ornamentation that appears like installations, to compliment the overall look.
Porter is my eldest child, and I tended to be fiercely protective when he was criticized. He actually was not a big complainer about school. Simply selective in what he chose to do and say.
I started here in Australia, playing a lot of roles but never the lead guy in shows here. I always tended to play the rougher guy, the criminal who gets caught or shot by the cops. Or the boyfriend from the wrong side of the tracks.
I tend to describe recurring themes as being part of a writer's DNA - something so deeply embedded in us that even we don't notice it until we've written three or four books.
The problem with politicians getting to know the issues in indigenous townships is that we tend to suffer from what Aboriginal people call the 'seagull syndrome' - we fly in, scratch around and fly out.
I tend to hang out with my friends in Los Angeles from high school. We know each other from back in the day. They still see me as just dumb Tyra. We have a strong bond.
For a lot of people, poetry tends to be dull. It's not read much. It takes a special kind of training and a lot of practice to read poetry with pleasure. It's like learning to like asparagus.
I know I can get to the stage where I'm drinking a lot. I tend to be rotten and groggy all day and hanging out for the next drink and five o'clock, ping! I have to just stop.
The people whose necks hurt when I write about the Middle East tend to live in Brooklyn or Boca Raton: the kind of Zionist who pays another man to live in Israel for him. I have nothing but contempt for such people.
I have such a dancer's spirit that I tend to leap around the house. Once I leaped onto my bed and landed on the floor. But I danced more for myself than I did for other people.
I tend to tell stories that have a lot of momentum; it's not like 'and then months later...' I like things where the momentum of one action rolls into the next one so everything is the sum of that.
In our struggle to restrain the violence and contain the damage, we tend to forget that the human capacity for aggression is more than a monstrous defect, that it is also a crucial survival tool.
If you are prepared for some risk, junk bonds pay about 5%, but they tend to get whacked when interest rates rise. Same with lower-yielding but higher-quality corporate bonds.
We have our little restaurants, and there's a beautiful beach that we go to in the summer and fall. We tend to have a lot of get-togethers, and if it's at my house, we order pizza because I can't cook.
Once I start writing about something, it goes off rather fast, and sometimes details which might be interesting such as what the room looked like or what somebody said that was not exactly on the same subject tend to get lost.
But in fact, when you try to model that on a computer you find that because of the very structure of matter and of the chemical bonds that are the basis of every organism, evolution is not random at all. It will tend to follow certain paths.
People with lower incomes tend to give a greater percentage of their incomes to help others and show greater empathy and compassion - perhaps because they know they might face the same circumstances.
I sort of tend to equate tattoos with prisoners, punks or people with a high level of self-confidence. I don't necessarily have a covered-in-tattoos personality.
What people tend to forget is the journey that I had getting to Formula One. There were plenty of years where I had to learn about losing and having bad races.
I never edit the songs that come out. And they tend to come out as a whole. The closest thing I have ever done to editing them is just cutting out a verse, but never rewriting lyrics.
