I think provincialism is an endemic characteristic with mankind, I think everybody everywhere is provincial, but it is particularly striking with Texans, and we tend to be very Texcentric.
Now, what tends to happen is that the stories get hyped. And the medicines are not quite as revolutionary and as dramatic as they seem to be. But, certainly, various phases of this problem are being attacked by the pharmaceutical companies.
The majority of my background is multi-camera format, which is very broad and a very arch perception of reality. Whereas single camera tends to be more truthful and a little more intimate of a medium.
Because of the enormous responsibility, diabetic kids tend to grow up to be the most mature, most realistic people who have a natural desire to reach outside of themselves.
When you're writing these things, you're in a room making each other laugh, you really have very little sense of political correctness or incorrectness. This is a question that Europe tends to ask and America doesn't.
It seemed weird calling a teenager 'sir' but I'd learned to be careful with immortals. They tended to get offended easily. Then, they blew stuff up.
Now on the other hand, if someone is selling a product, opening a dance studio, or has some other aim to help themselves, then I tend to look askance at some of these strange stories from outer space.
I think architects tend to believe that they can almost do anything, which is a wonderful characteristic, but in some cases you just fall flat.
I sometimes find that playing the bad guy, or villains, or psychopaths tend to be much more psychologically rewarding. And you can really push it, you can push the limits, and get away with it.
I try not to think about any of the production side of things. If you do, you tend to get unfocused and distracted. I just try to think about the character and the scene and what I'm doing.
We tend to think of politicians as time-servers and slackers. But on those committees they usually have an interest in the subject. And they're quite clever. I've seen them pick people apart.
African-Americans are not a monolithic group. So, we tend to talk about the black community, the black culture, the African-American television viewing audience, but there are just as many facets of us as there are other cultures.
I tend not to wear ties very often. I'm usually in old stuff: Hermes or Marc Jacobs boots and jeans and a T-shirt and a leather jacket or a jean jacket.
I tend to move between turtlenecks and shirts and ties. I don't really have a uniform in the sense that some people might.
I tended to do anything as long as it felt like an adventure, and to stop when it felt like work. Which meant that life did not feel like work.
It's hard to pay attention these days because of multiple affects of the information technology nowadays. You tend to develop a faster, speedier mind, but I don't think it's necessarily broader or smarter.
There's been a growing dissatisfaction and distrust with the conventional publishing industry, in that you tend to have a lot of formerly reputable imprints now owned by big conglomerates.
In my experience, and that of a lot of other women writers, all of the questions coming at them from interviewers tend to be about how lucky they are to be where they are - about luck and identity and how the idea struck them.
I grew up not having very many girl friends. Girls tend to be competitive. I actually went to the school 'Mean Girls' was written about, so you can only imagine what my high school experience was like!
Childhood depression tends to be more common in inner cities, being most frequently related to serious social deprivation, bullying, domestic violence, wartime experience and famine. It is, for example, a serious problem among children who are trauma...
Adult characters are all the things they've encountered over time. But kids haven't accumulated all the life experience, all the regrets. They tend to be more in the moment, more willing to play, to be joyful.
