I want people to have a good impression of Israel. I don't feel like I'm an ambassador for my country, but I do talk about Israel a lot - I enjoy telling people about where I come from and my religion.
When I'm makin' lectures to these universities, I tell 'em I like that little building because when I run short a audience, if I can get three people in there I've got a good crowd.
I will always listen to my coaches. But first I listen to my body. If what they tell me suits my body, great. If my body doesn't feel good with what they say, then always my body comes first.
Many people tell me that they don 't know what to feel when they finish one of my books because the story was dark, or complicated, or strange. But while they were reading it, they were inside my world and they were happy. That's good.
I think, you know, we entered the 'The X Factor' in the U.K., and you kind of want someone who knows what they're talking about to tell you if you're any good or not instead of just your mum saying that you like it when you sing.
You know, I'm the tough guy with taste, good friends, you know, describe me that I'm the tough guy, period, the way others do. But, you know, I'll tell you, I'm a complete wuss when it comes to my own kids.
Quincy Jones' autobiography 'Q' is very good. Because he's a master at music, he's one of our greatest composers, and its good for him to have a book and tell the good ole days when he was with Duke Ellington, Count Basie, Sarah Vaughan and Ray Charl...
The thing I always tell my audiences all the time is that I'm just two steps ahead of you on a good day. And I might be two steps behind you on a bad day.
It's usually a jolly good trick to pick up a local tour guide. They can tell you all the anecdotes that make a place interesting. I'm one for rushing off to museums at the crack of dawn, eating fabulous things on terraces for lunch, and enjoying long...
I don't teach kids to be No. 1. Organizations and people that tell you you have to be No. 1; that's not it. You don't have to be No. 1. What I teach is to be as good as you can be. Use what you have and be as good as you can be. That's all you can do...
Quite often you want to tell somebody your dream, your nightmare. Well, nobody wants to hear about someone else's dream, good or bad; nobody wants to walk around with it. The writer is always tricking the reader into listening to the dream.
I'll tell you something that's completely true - you can, as a man, obtain everything you want with the truth. If you lie, first of all you've got to be a very good lying actor, which is tres difficile. And it's going to give you poison inside the bo...
Here I am sitting in the back of a cab with Catherine Zeta-Jones who is telling me Michael Douglas has fond memories of me - it just makes me feel good as a human being.
A good story, just like a good sentence, does more than one job at once. That's what literature is: a story that does more than tell a story, a story that manages to reflect in some way the multilayered texture of life itself.
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I love Los Angeles, and it's been very good to me, but if everyone is running around telling the stories, who's living them? You don't play characters that are celebrities - you play guys who know what to do when their septic tank's blocked.
I'm not a career filmmaker. I just like to do things that I still kind of believe in and because of that you just never know what's going to happen next. It doesn't matter if it's been a good year or a bad year: next year, there's no telling what it ...
I try to tell a story that's good enough to win the right to integrate eternal themes into it. If it's poorly written or comes across as a sermon, then obviously you don't reach people, because they're aware that you're imposing something on a story ...
All the writing elements are the same. You need to tell a good story... You've got good characters... People think there's some dramatic difference between writing 'Little Bear' and the 'Hunger Games,' and as a writer, for me, there isn't.
I think you can really tell a good actor if you can put a camera on them and they can just talk and emote and react and you don't have to keep cutting away from them, because they are the language and the behavior. It's all a tour-de-force performanc...
As far as I'm concerned, an audience is an audience. Whether it's an audience in Hull or the National Theatre, that's who you play to. It's not money - it's good to get some, but that's not why I do it. You do it because you have to, to tell a story.
