I wouldn't call myself a geek, but I do sometimes teach Mommy and Daddy stuff about computers. And I do watch TV, but only informative programmes like the news and documentaries.
I graduated from high school in 1963. There were no computers, cell phones, Internet, credit cards, cassette tapes or cable TV.
Before computers, telephone lines and television connect us, we all share the same air, the same oceans, the same mountains and rivers. We are all equally responsible for protecting them.
Many of our own people here in this country do not ask about computers, telephones and television sets. They ask - when will we get a road to our village.
Freedom is not an ideal, it is not even a protection, if it means nothing more than freedom to stagnate, to live without dreams, to have no greater aim than a second car and another television set.
I've always had an inquisitive mind about everything from flowers to television sets to motor cars. Always pulled them apart - couldn't put 'em back, but always extremely interested in how things work.
Devices are getting smarter - your television, your car - and that means more data spread around. There needs to be a fabric that connects all these devices. That's what we do.
You can't show me an ad on TV with hard bodies and say I have to buy that car. You have to tell me why that car is better and safer than another car.
My first car was in 2006 when I got on my first TV show - a BMW 328i2 four-door sedan in slate grey. That was a great day, that was.
I feel very warm towards Mum and Dad for giving us the independence they did. My childhood, and the fact we didn't have a TV, gave me a boundless imagination.
I never really saw my dad as entertained as when he was just completely blown away by somebody on the television screen or at the movies. I think that's the real reason that I went into acting.
I was addicted to the original 'Star Trek' when I was growing up, because of my dad. We grew up in St. Helens, Oregon and we weren't allowed to watch a lot of TV.
I can be a rock star with a television show and still have a self-esteem problem. So it's nice to have your dad go, 'Hey Melissa, I'm proud of you - you're doing good.'
It's funny: All my friends back home are always wondering why every television show I'm on is a drama, but all the comedy pilots I did died a slow and painful death.
First and foremost, I'm a decorator and product designer. Everything I do, the television shows, the books, that comes from the design work. It's what I love.
If the education of our kids comes from radio, television, newspapers - if that's where they get most of their knowledge from, and not from the schools, then the powers that be are definitely in charge, because they own all those outlets.
TV and film taught me to think cinematically. Teaching others to edit, for example, provides a great deal of insight into the millions of ways in which given elements can be put together to tell a story.
That's what's so great about television. You're able to tell this long story, where you couldn't really do that in a film because you have to tell a story in an hour and a half or two hours.
All institutions have lapses, even great ones, especially by individual rogue employees - famously in recent years at 'The Washington Post,' 'The New York Times,' and the three original TV networks.
I love TV, don't get me wrong. But with film, you're just banging out this one product and you're not waiting on another script. You have your script. It's great, in that way.
What's great in theater is that you can sustain the arc of a character for a full three hours, whereas in film or TV, you have to create that arc in little pieces, and usually out of sequence.
