And sometimes both of them forgot that what they were undergoing amid the clink of cutlery and crockery was a mutual interview that might decide whether or not they would own a common set of those items some time in the whimsical future.
I can play the leading man. I can play the action hero, maybe in just a different way. I look at it as, you know, if you set your mind to it, you can do it.
I started off with making personal donations and eventually set up my own foundation, VTCY Foundation, now known as Better Malaysia Foundation. My contributions are also made through companies that I own.
There's nothing like the discovery of an unknown work by a great thinker to set the intellectual community atwitter and cause academics to dart about like those things one sees when looking at a drop of water under a microscope.
Foreman told Ray to plead guilty and he'd then give his brother $500, if Ray didn't cause any problems at the guilty plea hearing, and he could take that $500 and hire a lawyer to set aside the plea. Foreman actually put that in writing.
Spencer Tracy was a man who did very much what I do on a set, and that is, he comes down and he does his job, and then he goes back to his dressing room.
If we were to have a presidential election in Europe it would be an event that would spark a huge interest in people from Lisbon to Helsinki, just like national elections. And it would create a completely different political setting in Europe.
More are men's ends marked than their lives before. The setting sun, the music at the close, As the last taste of sweets, is sweetest last, Writ in remembrance more than things long past.
Vietnam helped me to look at the horror and terror in the hearts of people and realize how we can't aim guns and set booby traps for people we have never spoken a word to. That kind of impersonal violence mystifies me.
I just wanted to do this all Australian film and we didn't want to give creative control to overseas 'cause whoever comes on my sets, whether you're sweeping the floor or an actor, it doesn't matter who comes up with the ideas, it's a collaboration.
After you've seen behind the facade of a stage set you can't take the play seriously any more. You can't go backwards and regain your ignorance; you have to move forward.
Don't underestimate the importance of having enough room to work. Grilling is much more relaxing when you are not trying to juggle a whole collection of plates and bowls as you do it. If your grill doesn't have enough workspace - and they almost neve...
I do try to keep my show very improvisational. I don't work off a set list; I like to keep it more in the moment. I like to have information about where I'm going, what might be happening in that particular region as well. I like for people to feel l...
To understand the universe in the state that it began in, the so-called Big Bang, we need laws of physics that work better than our current set of rules and procedures, which break down when we try to push them back to the beginning.
There was a uniqueness to the American case of slavery. 10 million people, a conservative estimate, were brought to America... hundreds of people were set up in work camps, and hereditary-forced labor was put in place. That's a very different thing t...
For my first three books the setting (or place if you will) has always been a given - N.J. and the Dominican Republic and some N.Y.C. - so from one perspective you could say that the place in my work always comes first.
September 11 was horrific, but I've been through enough crises before that I had my own pattern as to how to collect facts, what a leader should do, how to communicate with people, how to set up operating mechanisms to work our way through it.
When I complete a novel I set it aside, and begin work on short stories, and eventually another long work. When I complete that novel I return to the earlier novel and rewrite much of it. In the meantime the second novel lies in a desk drawer.
You set your goals to a point where they're attainable, but far enough away that you have to really go get them. And every year I push my goals a little bit farther away, and every year I work a little bit harder to get them.
I do not set specific work hours as some writers do. I generally stay with a chapter until I am satisfied, do very little rewriting, and if a scene is going well, I've been known to keep night owl hours.
When I'm in a movie, what I always do, instead of sitting in a trailer or watching a DVD, is I go on the set and watch the director work and the actors work, and sometimes I'll hang out with B camera and watch what they're up to and ask questions bec...
