When the sun sets beautifully, other beauties rise. Nature is a theatre; when one great player leaves the scene, another great player immediately enters. The play always continues excellently.
Nothing spooky or terrible happened on set, but we were told to say it had. We were giving a press conference and the writers were going on about these terrible things that supposedly happened while we were filming.
I think what sets this one apart is that there are two horror movie icons finally battling each other. You actually see them beat the crap out of each other instead of just terrorizing the kids in the movie.
Few born liars ever intentionally embark in truth’s direction, even those who believe that such a journey might axiomatically set them free.
I've witnessed first hand the impact the Benchmark team has had on new ventures, and I believe their commitment to the entrepreneur and dedication to building companies of lasting value really set the firm apart.
We had four different sets and built 38 flats to use as walls, so we had a major production going on. It's so much fun when you're controlling it, but it's also so much pressure.
My parents were the ones who gave me the independence, who gave me the spark to do anything that you set your mind to, as all parents should do for their kids.
I loved working with Valerie. That was the most wonderful revelation to find that when we are on a set and we're playing our roles, we're like separated twins. We can almost finish each other's dialogue.
Sometimes we drop in and do an acoustic set somewhere, and that's really fun to take all these insanely loud songs, and to do them quiet. It's really a sight to see... or to hear!
While other state governments stiff their vendors, close parks, delay tax refunds, and ignore unacceptably poor service levels, Indiana state employees are setting national standards for efficiency.
Sunlight fell upon the wall; the wall received a borrowed splendor. Why set your heart on a piece of earth, O simple one? Seek out the source which shines forever.
If it's a very emotional scene, you're kind of relieved when you've done it, kind of spent. And there are times when you can be rattled, certain characters if they're hyper, that can carry over, the residue of that. But I try to leave it on the set.
My understanding of magic is fairly straightforward. Hit enemies with a sword until they’re dead. If they rise again, hit them again. Repeat as necessary. It worked against Set.
Growing up in the Bay Area, I played early on with these quartet groups who set guidelines for me. I remember the guys would all have the same clothes and shoes, like these uniforms. I was in awe.
I'd like to record somewhere really different. Rent a really big house and get a mobile in and set up in the dining room. Maybe New England; it'd be nice in September or October.
Anyone who has set out to invent a purely imaginary story knows that the whole thing is fantasy, from beginning to end; there must be a sense of magic created about the most restrained of naturalism.
The way I look at tricks is if I really have my mind set on one, I'm going to learn it until I can do it 10 or 20 times in a row. I want to perfect it.
Any setting can potentially acquire this vividness. It slowly arrives during the period of research, until it is as immediate to me as my own real surroundings.
As Harvard Business School professor Peter Bregman advises, 'Don't write a book, write a page...Don't expect to be a great manager in your first six months, just try to set expectations well.
I think you are taken more seriously as a young adult when you are on a film set and you are doing a job and people expect something from you. Is that losing my youth? Not at all. I had a fantastic childhood.
I performed adequately at school, but in comparison to my older brother, who set the record for the highest cumulative average for our high school, my performance was decidedly mediocre.
