You set up a story and it turns inside out and that is, for me, the most exciting sort of story to write. The viewer thinks it's going to be about something and it does the opposite.
Don't set out to make a scary movie and then flinch every time you're supposed to scare somebody because you're afraid of being MPAA or you're afraid of your own demons or whatever.
But something about Clint tossed off sparks that set her nerves on fire.
It appeared as if the whole world was one elaborate system, opposed to justice and kindness, and set to making cruelty and pain.
I think middle-age is the best time, if we can escape the fatty degeneration of the conscience which often sets in at about fifty.
The moment someone chooses to trust in Jesus Christ, his sins are wiped away, and he is adopted into God's family. That individual is set apart as a child of God, with a sacred purpose.
Religion has the right to express its opinion in the service of the people, but God in creation has set us free: it is not possible to interfere spiritually in the life of a person.
You do become very close like a family but because you see each other for such an intense period of time on the set everyday. You really don't end up socializing that much.
The joy of acting for me is to be able to experience emotions in a safe environment. You can't scream and cry in the street because everybody will look. If you do it on a movie set, you get applauded.
There's never been a mathematical equation that says a good experience making a movie equates to a good movie, or a bad experience on a set is going to lead to a bad movie.
The primary requisite for writing well about food is a good appetite. Without this, it is impossible to accumulate, within the allotted span, enough experience of eating to have anything worth setting down.
The only faith that wears well and holds its color in all weathers is that which is woven of conviction and set with the sharp mordant of experience.
Most of my work has no conventional narrative, so it's not essential to have a beginning and an end - your attention can flow in and out of the experience rather than having a set entry point.
Well, a special screening was set up for government officials, so they didn't have to see the experience of going to see the film. They certainly aren't going to the projects to see for themselves the situation.
In my experience a painting is not made with colors and paint at all. I don't know what a painting is; who knows what sets off even the desire to paint?
Living in a rural setting exposes you to so many marvelous things - the natural world and the particular texture of small-town life, and the exhilarating experience of open space.
I meet everybody. If somebody invites me to their house and they got a drum set close, I'm going to play, man. Let's jam. I don't care. Get in where you fit in and enjoy the experience.
My experience with casting children is that... the whole movie is going to rest on their shoulders, so you have to set aside time and wait for the perfect people to appear.
Eighty percent of flavor comes from your nose, including a set of internal nostrils. When you chew food and hold it in your mouth, the gases that are released goes into these nostrils. People who wolf their food are missing some of the flavor.
For all the concern about bodies and weight, 'Baywatch' has three huge catering trucks on the set at all times. One for entrees, one appetizers and one for junk food.
I follow a set of principles, I follow the Constitution. And that's what I base my votes on. Limited government, economic freedom and individual liberty.
