Gay marriage is absolutely something that I am in full support of and a big advocate of, and I think it's an important issue, but there's a reason that I don't talk about politics and why I'll never be in politics. I am not the person to ever do that...
When I was little I used to dance and model and that was fun. But I was always the person that was goofing off and I would memorize every line in every movie that I saw. And at recess that's what I would do, I would talk to my friends and recite movi...
When we talk about Oscars, it's almost as a symbol of excellence, and the American public and the worldwide public accept that symbol. So, a movie like 'The Artist' that costs $14 million, has to go out and compete with movies that cost $140 million....
Before I'd written movies, I never could do big set-piece scenes with a lot of different speakers - when you've got twelve people around a dinner table talking at cross purposes. I had always been impressed by other people's ability to do that.
The only thing I'm nervous about is talking to guests like human beings, because all of my interviews so far have been attacking people. I have a genuine concern about sitting across from an actor whose movies I obviously haven't seen.
I don't watch the movies I make, so I haven't seen 'Footloose' since it came out. You see this young, hungry actor, it's pretty fun. I was the only one they screen tested. It was an attempt by the director and producer to talk the head of the studio ...
Statesman: [after the army starts marching in the fields, talking nervously] What shall we do? Theron: What can we do? King Leonidas: [sneers] What can you do? Sparta will need sons.
Ben Wade: [Talking to William about Dodge City] Woman'll do things to ya, you'll never forget. Doc Potter: They give you disease you'll never forget.
Briony Tallis, aged 13: Cee? Cecilia Tallis: Yes? Briony Tallis, aged 13: Why don't you talk to Robbie anymore? Cecilia Tallis: I do. We just move in different circles, that's all.
Fred: [talking through camera] Hiro if I could have any superpower right now, it would be the ability to crawl through this camera and give you a big hug.
Geisler: Look, you confused? You need guidance? Talk to another writer. Barton: Who? Geisler: Jesus, throw a rock in here, you'll hit one. And do me a favor, Fink: throw it hard.
Jason Bourne: [talking to Conklin] I told you to come alone, but I guess that was too hard. So try this - I'm gone. [hangs up cell phone]
Grandpa: You know, Ralf, your mother really is sick. She's been talking about this visit for weeks. Mother: Maybe that's what's made her sick.
Nina: It's just a rash. Erica: [panicking] A rash? What are you talking about? Nina: It was worse a few days ago. It's fine already. Erica: You've been scratching yourself again.
Lily: So, how is he? Thomas? Nina: I wouldn't know. Lily: Oh come on. Nina: I really don't want to talk about that. Lily: [sarcastically] Ah, okay! You really need to relax.
My first book is really about heat. That book, for me, was an exploration of heat as ingredient. Why we don't talk about heat as an ingredient, I don't quite understand, because it is the common ingredient to all cooking processes.
For me, it was kind of like going into the military or something. And anybody - any male - who has ever worked in a French kitchen knows what I am talking about when I say that.
I'd go to swim practice, put my face in the water, and I didn't have to talk to anybody. Swimming was like my escape, but it was also like this huge prison because I felt like I had to swim up to people's standards.
When we get together and rehearse, which is always living with each other, we always talk about what would make it better, what would mean more, what would say more. So we're always improving and growing.
There are things coming from me that I felt I wanted to talk about. My search for my own blend of spirituality, my acknowledgement of my sexuality, my being the single mother of a young man.
We're talking about the struggle to drag a thought over from the mush of the unconscious into some kind of grammar, syntax, human sense; every attempt means starting over with language. starting over with accuracy.
