The principle I always go on in writing a novel is to think of the characters in terms of actors in a play. I say to myself, if a big name were playing this part, and if he found that after a strong first act he had practically nothing to do in the s...
The young man, who does not know the future, sees life as a kind of epic adventure, an Odyssey through strange seas and unknown islands, where he will test and prove his powers, and thereby discover his immortality. The man of middle years, who has l...
Foulfellow: [Picks up Pinocchio's schoolbook and apple, which he eats] Well, well. Quite the scholar, I see. Look, Giddy. A man of letters. Here's your book [hands book to Pinocchio] Pinocchio: I'm going to school. Foulfellow: School. Ah, yes. Then p...
Fabre stood up. He placed his fingertips on d‘Anton’s temples. “Put your fingers here,” he said. “Feel the resonance. Put them here, and here.” He jabbed at d’Anton’s face: below the cheekbones, at the side of his jaw. “I’ll teach...
Are you a born writer? Were you put on earth to be a painter, a scientist, an apostle of peace? In the end the question can only be answered by action. Do it or don't do it. It may help to think of it this way. If you were meant to cure cancer or wri...
[White approaches Loew in the bathroom, after he refused to answer Exley's questions] Ellis Loew: Unless you came in here to wipe my ass, I believe we're through. [White looks at him, silently] Ellis Loew: Come on, don't try this "Good Cop-Bad Cop" c...
Sammy Barnathan: I don't have a resume, or a picture. I've never worked as an actor. Caden Cotard: Good. Tell me why you're here. Sammy Barnathan: Well I've been... I've been following you for twenty years. So I knew about this audition because I fol...
