I'm tactile, very tactile. A woman who has really nice, looked-after skin is such a turn-on for me. It's always sexy.
There's something very satisfying about creating a tactile product.
Writing has always had that tactile quality for me. It's a physical experience.
'Happy Days' is the type of show that represents the best we can be. It's something warm, something tactile when life was good and life was simple.
I try to make songs visual and tactile to kind of put you into the action.
Semiotics is a general theory of all existing languages... all forms of communication - visual, tactile, and so on... There is general semiotics, which is a philosophical approach to this field, and then there are many specific semiotics.
My love of books - not just of their tactile pleasures but of their astonishing variety - was born in a book-filled house; my father is a scholar.
The guy who sits in front of the TV set with headphones on has lost the capacity to react to the tactile environment.
Whenever you look at light, basically it's just air. It has no tactileness to it. It's totally without density.
I still enjoy the tactile sensation of holding a book. But when I need to read fast for work, I use the Kindle App on my iPad.
This object that we hold in our hands, a book... that tactile pleasure, it's just not going to go away.
I don't want people to sit there and objectively watch the film. I want them to experience it as something that's under their skin, so you try to make the films really tactile.
I'm a very physical person. I'm very tactile. I wrestled in college, so a lot of my communication with the world comes through physicality - what I take in and what I put out there.
Some directors don't get involved in the cinematography and are just about story, but I'm definitely more tactile than that in terms of my involvement in the minutiae.
I don't want technology to take me so far that I don't have to use my brain anymore. It's like GPS taking over and losing your internal compass. It's always got to be tactile, still organic.
I have a sort of tactility about music. I go into record stores and just run my fingers over it, the spines.
The world we live in is not purely visual. For me it's totally poly-sensorial so the tactile, sensual aspect of living in the work that I do is brought to the fore.
Well, everybody faces the fact there really aren't many records stores around to just go and browse. Maybe browse online, yet that tactile feel of flipping through a stack of vinyl remains one of life's simple pleasures.
Whatever it takes to get the image to reach that level is what that photographer needs to do. And for me, I just have such a love of the tactile and sensuous quality of a black and white silver gelatin print.
I'm kind of a tech geek. With the camera work, I chose to shoot super 16, which has a real tactile feel. I feel it's as authentic as possible; I love the way the grain feels.
I love building spaces: architecture, furniture, all of it, probably more than fashion. The development procedure is more tactile. It's about space and form and it's something you can share with other people.
