When I'm working on the scripts or working with the other actors or rehearsing with the director, and when the director is cutting the movie, and we've shot the scene, the director is not looking at the visual effects.
Dustin Hoffman was the greatest. He had so much information to give and he mesmerized me. He really feels for actors who are just starting out and remembers his early days like they were yesterday.
I suddenly realized that comedy, for me, was just being honest, and playing it for real. I've seen so many wonderful actors who turn into creatures from another planet when they're told they are supposed to be playing comedy.
Every single director-actor I talked to, from Warren Beatty to Clint Eastwood to George Clooney, said the biggest mistake they made is not shooting enough footage of themselves.
Having secured my Indian actors, I started for Baltimore, where I organized my combination, and which was the largest troupe I had yet had on the road.
It's difficult because nothing's preordained by plan and you can't control it. That's one of those joys and thrills and nerve-racking realities of being an actor. A lot has to do with luck, no matter what your talent or contribution can be.
I was a film-directing major at NYU. I'm still not sure why I became a directing major, when I was really an actor and a comedian, but there was something that drew me to doing that.
When I showed up at UH, my hair was past my waist. I had a goatee. I wasn't a theater geek; I wasn't an actor. But Cecil Pickett molded me and taught me.
I think I must be the only British actor who's played both Stalin and Trotsky. I need to play Lenin so I can make it a triptych.
Psychoanalysis. Almost went three times - almost. Then I decided what was peculiar about me was probably what made me successful. I've seen some very talented actors go into analysis and really lose it.
There is a temptation for an actor to editorialize what they're doing. And you can't do that with Pinter. It's almost like a musical score. His lines are so specific, but they can mean different things to different people, like an alternating current...
As an actor, I can still play a cop, but the bullets are fake, I don't have to get injured, and I'm not faced with the day-in-day-out of what cops have to deal with, which is tragic and dangerous.
I grew up in East Germany, so we had to learn Russian in school... everybody hated it. I never thought it would come in handy... And being an actor, I've been able to use it quite a bit.
At some point, when I was 14 or 15, the idea crossed my mind to become an actor... I hadn't been to the theater much... When I grew up, we had one TV channel, which was sufficient.
Onstage, even though you're here together with the other actor, face-to-face, playing out the scene, you also have that other ear pointed out toward the audience and how they're listening. That informs a lot.
I ran away from three different boarding schools before joining a circus school, and eventually I became an actor. The only thing I learned at boarding school was never to send my child to one.
I'm a character actor, and I made a choice when I was young, after 'Mystic Pizza', not to go for the mainstream stuff, and to do a more eclectic kind of route.
It might sound cliched, but choosing the right script is crucial. I think 'Badmaash Company' was a very big break for me because it gave me a lot of appreciation from the masses. It made me more confident as an actor.
Last summer a second unit production crew went to France and shot scenes for several of this season's episodes. They shot costumed actors in and around real castles and landmarks, we couldn't possibly have duplicated here in Hollywood.
Being here allows me to make the case that not all aging, narcissistic movie actors whose children could be mistaken for their grandchildren necessarily act with the same motivation.
I was friends with President Ronald Reagan and he once said to me, 'I don't know how anybody can serve in public office without being an actor.'
