I knew I wanted to be an actor when I was very young. I guess I was about 6 years old at the time, and I was fascinated by television. I started having waking fantasies where I was in a movie and there were crane shots of me during a scene.
As you're growing up, it's odd, because directors don't expect you to grow up. They think you'll be young forever, but as an actor, there is an awkward period when you're too young for old or too old for young, and it can be an odd time.
You know, even working actors can end up having a lot of spare time. And you can either go sit at the Starbucks and wait for your agent to call you, or you can go learn how to build a Shaker blanket chest with hand-cut dovetails.
I remember the first time my mind was blown by an actor was Tim Curry, because I loved 'Clue' when I was a kid, and then I was watching the movie 'Legend,' and the Devil suddenly smiles, and I was like, 'It's the same guy!' It was a total Keyser Soez...
Over a period of time, if you have a successful show, then you have a devoted audience. I feel you owe something to them. That goes for everybody - writers, camera operators, actors, studio executives, etc. Sadly, I've realized it's a responsibility ...
I used to drive up from theatre in Michigan to Stratford, Ontario to watch every show. I idolized the actors from Stratford. I was very influenced by them because they would come down and work at my theatre and get time on their American Equity union...
I've spent a lot of time self-reflecting. Especially as an actor, you have to know yourself really well in order to do things effectively. And when I dress, I dress for me. I don't dress to make other people think that I'm this way or that way.
I don't have a specific type of role that I aspire to play or aspire to act. I really like a challenge and I really like doing things that are different because if I had to do the same thing all the time, then I don't think I would be an actor.
Cosmo Brown: What's the first thing an actor learns? "The show must go on!' Come rain, come shine, come snow, come sleet, the show MUST go on!
Don Lockwood: Tell me the truth, am I a good actor? Cosmo Brown: As long as I'm working for Monumental Pictures, you're the greatest of 'em all.
Bus Driver: [unable to get the ferry moving] I'm usually the bus driver! Production Assistant: [into his radio] Bottom line is they can't drive the boat. They're actors!
The one benefit of having done all kinds of movies as an actor is, you learn the pros and cons of being tempted to do a really big movie because it costs a lot of money.
When I was writing 'Withnail,' I was so busted flat that I had one lightbulb that I would carry around the house with me. I mean, really. No furniture, no money, and I was hoping to be an actor, but I could never get a job.
No matter how many people tell you, Save your money, when you've got a series, you never do. Somehow it doesn't seem important. Maybe it's because you've been without money for so long as an actor.
Money is tighter now, with the advertising dollar spread a lot more thinly across a whole range of media because of the Internet. It means the television networks have less power to produce shows, and TV is where most Australian actors make their mon...
It's important to me that I don't get trapped in the whole teen scene, because I feel that you can get lost in those kind of movies, and they aren't really about the actors; they're about the selling of the concept, and how much money it makes.
The happiest I ever been was when I was a struggling actor. I've had big houses and small houses. I always had work available for most of my career. When I actually had to find jobs to make money, that's when I was happy.
People in the film industry always want to save for a rainy day. Many early actors died in small houses with no money, and so they are insecure. My advantage is I don't value money that much. It's an easy thing for me to let go.
Actors should be better poker players. But I think there's actual skill and crazy guts that you need to play poker - this ability to put all this money on the line inside of that game of cards. There's this whole different set of skills that doesn't ...
Sometimes you take a job for the money, sometimes you take it for the location, sometimes you take it for the script; there are just a number of reasons, and ultimately what you see is the whole landscape of it. But I can tell you from behind the sce...
The nature of the video camera really makes you focus on the present. Since I have always been a diarist filmmaker, not one who stages scenes with actors, it has always been about the present moment.
