I want to try and do as much as I can as an actor. So far I think I've done pretty well with being a minister's son. And now I know I'm pretty darn good at playing a woman too.
I'm what you call a good, old-fashioned working actor who has had delusions of grandeur for my entire career and has known what I want to do, but there's a lot going on out there. There are a lot fewer films being made, and there's a lot of competiti...
When you're young, you don't care about your parents and what they're doing. But then you get to your 20s, and you start watching their movies. And then you become an actor, as I did late in college, and then you're really watching them. And they wer...
For example I don't work with William Hurt the same way that I will work with Viggo. They're different guys and they work in different ways. So a good sensitive director has his general style and technique and personality that he uses but you don't i...
I have, I think to do a play a year is very good if you can afford the time and the energy because it's difficult to do, it's really the actors medium of course, because you're really out there and nobody's yelling cut so, yeah I have.
When you first start out as an actor, you're just looking for a good part. As time goes on, if you're being held responsible for the movies themselves, you're looking for a good script all around.
You go through stages in your career that you feel very good about yourself. Then you feel awful, like, 'Why didn't I choose something else?' But overall I'm pretty satisfied that I made the right choice when I decided to be an actor.
The great thing about being the son of Maya Angelou is that I had the good fortune to grow up around some of the greatest black artists, dancers, singers, musicians, and actors of our time.
I've always seen it as the role of an artist to drag his inside out, give the audience all you've got. Writers, actors, singers, all good artists do the same. It isn't supposed to be easy.
I've played journalists before, and I have good friends who are journalists. I think being an actor is not very far from being a journalist. Because you investigate, you try to understand, you're asking questions, you're interested in the other.
I think good actors can sort of see into people and immediately you have a chemistry with them or not. It's like an affair with no mess. You don't actually consummate it, but you get to pretend, imagine what it would be like.
I didn't know what my passion was until I discovered the dramatic arts in junior high and high school and I realized, 'Oh, I like this. This is something I feel like I'm good at.' But, the idea of moving to Hollywood and becoming an actor was really ...
I'll tell you something that's completely true - you can, as a man, obtain everything you want with the truth. If you lie, first of all you've got to be a very good lying actor, which is tres difficile. And it's going to give you poison inside the bo...
If you got a good imagination, a lot of confidence and you kind of know what you are saying, then you might be able to do it. I know a lot of colorful characters at home that would make great actors.
They didn't act like people and they didn't act like actors. It's hard to explain. They acted more like they knew they were celebrities and all. I mean they were good, but they were too good.
I have directed good actors and have gone through the process which is more detailed in theater in a way. You have to get people to stay for two or three hours in a performance. They need more talk and rehearsal than in films.
I have been an actor for most of my life. When I started out, I didn't think about anything except what was good for me. Like many movie stars, I became all wrapped up in myself.
Movie acting is about covering the machinery. Stage acting is about exposing the machinery. In cinema, you should think the actor is playing himself, if he's that good. It looks very easy. It should. But it's not, I assure you.
A good choreographer is one that's going to collaborate, teach, guide - everything. The wonderful thing on 'Brotherhood of the Wolf' was that we had Philip Kwok - he choreographed John Woo's 'Hard Boiled,' and in the '70s, he was a martial arts actor...
If you're locked to the words on the script, as good as those scripted words are, if you didn't have the time to rehearse them correctly or if the perceived dynamic between the actors is different from what the writer imagined, and you're not allowed...
I think what makes a good actor's director is somebody who understands what I'm doing and is respectful of it, but who also has a vision and is directing me toward their vision in a way that feels productive.
