I know there are actors we all want to beat up a little. I think it's important to do whatever it takes, and whatever it takes sometimes involves some physical or mental discipline. There's a lot at stake.
I was very pleased you know, and I was afraid that I might stick out, but I didn't. My happiest thing about that picture is that I proved that American actors can speak as well and also fit in with an ensemble like that.
From the point of view of being in the public radar, comedians have less problems than other actors. Action movie stars like Stallone or Schwarzenegger usually attract the more aggressive fans.
Once the curtain is raised, the actor is ceases to belong to himself. He belongs to his character, to his author, to his public. He must do the impossible to identify himself with the first, not to betray the second, and not to disappoint the third.
It's not like I'm looking for things that I can direct that I can also act in, but when it's right, I feel like the actor side of me wants to have that opportunity.
As an actor, you're never really in control of the product. I think the goal is to create what you want. And if you can get as close as you can get to the creation of something, it starts with development.
I'm just an actor. If it's drama, I add as much humour as the part will stand. And if it's a comedy, add as much drama as you can, so it balances out; you don't wanna be too serious.
He was a psychotic. He was a borderline psychotic. He was a terrific, sensational actor, with a magical screen presence, you couldn't keep your eyes off him, but he was paranoid. He was sure everybody was out to get him.
Our job is to make manifest the story, to be it. In a sense, the theatre is such a big star itself, bigger than any Shakespearean actor I could hire, that we should take the opportunity to fill it with voice and verse and movement, not interpretation...
I think it's so important as an actor that you hang on to your own inner compass, because so many people want to guide you - 'This is what you should you be doing'. But I want to do different things.
Every actor will tell you it's so much more fun to play the bad guy because usually those characters are more complex and more broad and more interesting, and have more sides to them.
When I first watched 'Coraline,' I thought , 'If that ever got adapted...' If it was done by real actors, I think that would be a really fun thing to do, just because it's a kind of whole new universe.
I think it's hard to know. Feeling fulfilled, because actors face periods of unemployment, there is nothing worse than being at the top of your game; you have so much to give but do not have the platform to do this.
It's a question of why they come for your advice. Whatever I tell you, it doesn't matter, it is completely irrelevant in a way. I know so many actors who were discouraged and put that aside. You will get half-baked opinions.
I always wanted to be an actor, but with a speech impediment it's kind of tough. I decided to roll the dice and take an acting class, which was very, very nerve-wracking... my stomach would just be in knots.
We had a showing of Battlestar in LA last week. I walked out the door and there were 50 people. I signed a ton of autographs. Other actors walked away without signing. These are the fans. I guess it depends. on who you are.
It was very natural for me to want to disappear into dark theater, I am really very shy. That is something that people never seem to fully grasp because, when you are an actor, you are meant to be an exhibitionist.
When I started writing comics, 'comics writer' was the most obscure job in the world! If I wanted to be a celebrity, I would have become a moody English screen actor.
I like to be a lot of different things at once and dress different ways and I change my hair all the time, so being an actor lets me live out the fantasy of living out 100,000 different lifetimes in one, without all of the repercussions.
'Ten Year' was probably - I might say 'Ten Year' was my favorite filming experience of anything I ever worked on. It was totally different from 'Moneyball' in that it was a small budget, independent movie. It had a giant ensemble of actors, all of wh...
Yes, he wanted me to do Funny Games before, which I didn't want to do because the film was very theoretical - the way people experience violence on screen. There was very little space for fiction, it was more like a sacrifice for the actors than anyt...