No not pigeon holed me as an actor, or as a character, or as to what I could do - but what I would do... and the fact is the things you don't do are almost as important as as the things that you do.
It's the weirdest thing. When you go into acting, you expect to be a huge star and to be recognized... It did happen, but not in the way you expect it to... In L.A., I'm just another character actor.
Running my show is really like an actor being in repertory but where, in one day in one performance, you do scenes from a drama, a farce, a low comedy and a tragedy.
As actors, we're all encouraged to feel that each job is the last job. They plant some little electrode in your head at an early stage and you think, 'Be grateful, be grateful, be grateful.'
For hundreds of years, that was the major form of entertainment: The grown-ups sat around and watched the kids play. Now they sit around and watch the television. The actors are the kids.
If we take as given that critical infrastructures are vulnerable to a cyber terrorist attack, then the question becomes whether there are actors with the capability and motivation to carry out such an operation.
Well, I think on second units it's all about execution. Because you come in there, you don't have to worry so much about the studio and all the other actors and all that.
As an actor, there's very little you can do if people don't want to see you. Just getting yourself into the room to audition is tough.
I stand to learn more working as an actor with really talented people than I do by directing a feature.
Before I was an actor I was an apprentice jockey, and now I'm out there racing against boys, sort of the spokesperson for people over 50 that they can do it.
Actors, I don't think, ever really grow up. I'm hoping that that rejuvenating process applies to me, too. It has so far. I've been very lucky.
You have to pretend to live in those clothes that they lived in, to live within the climate that they had then. You have to imagine with the help, obviously, of all the other technicians that are around - the writer, the director, the other actors.
I grew up loving actresses or actors who were very classy but who seemed a little bit mysterious because you couldn't grasp what they're really thinking.
I consider myself a 'local' actor in France. I started out in France, I went to drama school in France and the French film community was very welcoming to me when I was a young actress.
I want to make a clear distinction between people who take acting seriously and people who call themselves actors because they've been on reality TV or something.
Somewhere in talking and rehearsing, there is a magical moment where actors catch a current, they're on the right road. If they really catch it, then whatever they do from then on is correct and it all comes out of them from that point on.
I want what's mine. I see other actors who are doing very interesting roles, and I just want to continue to do things that are interesting, and things that people will go see in theaters.
Even through my college years, I was trying out plays and shows, but I never really thought it made much sense to try to be an actor. I thought it was foolish, really.
When my father was a young actor, it is absolutely true that the vast majority were fairly middle class. Then all of a sudden, people like Albert Finney burst through and turned all that on its head.
Christian Grey - he isn't a real person. He's a superhero. A myth. He's like Bigfoot! He's unbelievable. He's unattainable. There's no actor in the world who could live up to that.
Although just being employed as an actor is a big thing, I'm not sure I'd be satisfied playing the same character for 30 years; it's not why I want to do this for a living.
