In many ways, education is a lousy business. Teachers are not normal economic actors; almost all of them work for less money than they might fetch in some other industry, given their skills and advanced degrees.
Many American TV actors employ agents, managers, business managers, publicists and stylists, and are now adding digital media manager to the list. Their job is to reach out to the fans, managing websites, Twitter feeds, Facebook and Wikipedia.
My brother started in the music business, and I was an actor - we were both in the entertainment industry, but doing separate things. Then he went over to New Line and started their soundtrack department, that's how he got his foot in the door.
In terms of Cube I think he's very conscious of the technical aspect of the business whereas when you're just hired as an actor, you're not really secure in that part of your work and you're not really paying attention to where the camera.
I have friends that are much better actors than I am that had to quit the business because they couldn't survive the auditions or the rejections, or people just didn't realize how good they were.
I have made a promise to myself that I will have no limitations as an actor. I have realised I have to pay attention to the commercials or the business aspect of cinema, but deep inside, I am purely an artiste.
Being an actor gives you a chance to play all kinds of roles, very moving and dramatic on one project, silly and girlish on another. That's the most interesting thing out this business, you get to keep reinventing yourself.
I realized that there was something internal that I could gain from pursuing this career as an actor. However, once I got into the business I just really abhorred what this career can drum up inside of a person.
I guess there are very few actors that I've worked with that I would like to work with again. You never think you'll have that chance and, if we didn't do Italian Job together, there wouldn't be another one that could be right.
The play is one of the very few pieces of great dramatic and comic writing that I have read in a long, long time. I was drawn to it because of the power of the writing, which gives me the actor a chance to explore many facets of myself.
Luckily, I have been offered the chance to play a South American, Hispanic and even a character from the Middle East in films. There are also a lot of TV series in the U.S. that have a strong presence of actors from India.
On one level, I would prefer never to hear the words 'James Bond' again, but on another level, it is part of my blood and my life. And it's the only movie in the world that offers a British actor the chance of international recognition.
My dad had such a cool job. When you're a voiceover actor, it's a whole different skill - you're bringing these huge, larger-than-life monsters and characters to life. And, also, you have to learn accents.
I'm always nervous doing auditions - to be honest, I hate it. I always envy the actors who are so cool and cold-blooded when they go in for an audition, especially if it's for a part that you would really love to play.
It was really really neat to make the movie because there were mentally challenged actors in the movie. So that was really really cool to work with them and they were always really happy, and they made everybody really happy on the set too.
If you're a kid who's not necessarily attractive, and you don't have money, and you're not hip and cool, chances are you're not going to feel good about yourself and want to be an actor.
I know some actors feel classes are not cool or they create negative public relations, but I continue to crave the story just beyond my reach. To grasp that brass ring I need to continue to fine-tune my talents.
Paul McCartney and The Beatles in general are my idols. And I love Sting. I got to meet Sting. That was really cool. Dustin Hoffman is my favorite actor. Also, I think of Magic Johnson as an idol.
I've worked with a couple of these really cool, great actors like Ted Danson and Glenn Close. They all have their own presence when they walk into a room, and I was excited to see what Tom Selleck's 'space' was going to be like.
You can be playing a line some way and the director wants you to change that, or you can disagree. But I always think that the creative conversation between director and actor is what leads to good work.
It's hard for two actors to be together. Take the traveling, for instance. It winds up being a long distance relationship, all the time, because one's working here and one's working there, or one's staying at home and one's off someplace else.
