He(Prophet Muhammad) was Caesar and Pope in one; but he was Pope without Pope's pretensions, Caesar without the legions of Caesar: without a standing army, without a bodyguard, without a palace, without a fixed revenue; if ever any man had the right ...
If everyone took personal responsibility for their animals, we wouldn't have a lot of the animal problems that we do. I'm a big spay-and-neuter supporter. Don't have babies if you're not going to take care of those babies. We don't need more. We just...
Typically, a psychiatrist can fool a patient by telling him the root of his problem can be fixed with this pill, that support group, and more psychiatry appointments. They don't tell the patient that the really fucked up people never get better. They...
Companies have long gathered data to break down their customer base into specific segments. Now political parties have become adept at micro-targeting, too, using data on shopping habits, leisure activities, voting histories, charity donations, and s...
Penalties against possession of a drug should not be more damaging to an individual than the use of the drug itself; and where they are, they should be changed. Nowhere is this more clear than in the laws against possession of marijuana in private fo...
Coach Norman Dale: I would hope you would support who we are. Not, who we are not. These six individuals have made a choice to work, a choice to sacrifice, to put themselves on the line 23 nights for the next 4 months, to represent you, this high sch...
Embrace your journey and those who come across your path. Be gracious in your endeavors. Focus on your craft. Those who support your dreams now and feel your sincere humility and gratitude will be there 20, 30, 40 years from now, padding your old bon...
Dr. Murray points to the Nazarite system as what he calls an external scaffolding supporting human efforts at righteousness, reminding the participant that he is set apart. Christ, he said, needed no external reminder that the Father was His joy and ...
The Internet is a really big tent. In theory, it can support the full range of models, one of which is, 'Here's my information and I'm happy you can use it,' and the other one is, 'Here's the information and you can't have it unless you pay me for it...
The theatre is a tragic place, full of endings and partings and heartbreak. You dedicate yourself passionately to something, to a project, to people, to a family, you think of nothing else for weeks and months, then suddenly it's over, it's perpetual...
Some actors specialize in shooting weapons and punching people. Some have the market on playing buffoons cornered, others specialize in roles that require heavy makeup or outrageous wardrobe. Some trade exclusively in a post-ironic blase attitude.
Then there are actors my age like Ethan Hawke, he's in 'Moby Dick,' I love his work. I've been lucky. Alfred Molina, he has real class.
I was 14 years old. I did an audition for extra work as an actor, with two lines. Suddenly I was auditioning for a bigger role, and then got a part on a Portuguese TV series at age 15. My whole life changed completely.
For me, choice is the most important thing because I'm going to be an adult actor pretty soon. So I've got to be choosing the right roles now so that by the time I get to that age there will be wide options available.
I grew up with the great Sir Laurence Olivier, and I think it's fair to say that a lot of actors of my age were influenced by his very individual vocal delivery. He was a showman who would always play to the gallery.
I remember being in college knowing I didn't want to go anymore. I wanted to try and become an actor. There is a something in me, with a risk of sounding cliche, that I just had to do it. I knew from an early age that acting was my path.
I studied technique for ten years, from age 7 to 17. I guess you could say I went more on the Stanislavski side than the Meisner side - there's always that wide divide among actors when it comes to technique.
There's something really amazing about watching an actor like Michael C. Hall or Jennifer Carpenter, who are completely professional and do everything so brilliantly, but yet can have a really great time on set.
It's amazing that for actors mostly, it's a risk to attach yourself to a film that you don't know whether or not it's going to even be made and if you sign on, in doing so, who else is going to be in the movie with you.
You're in a scene with Laura Linney or Oliver Platt or John Hickey or Alan Alda and these amazing actors and actresses, and you're like, 'Oh my God, I haven't even started; I'm nothing compared to these people!'
I do think musical-theater actors can get a bad rap, and I see why. There is a certain slickness - there's nothing better than an amazing musical, but an okay musical can be one of the worst times you've ever had.
