You experience the films through the actors, so they're all locked into your imagination in some kind of layer of fantasy or hatred or wherever they settle into your imagination.
There are some actors that are so gifted, that move you in such a way that every time you see their names again, you go and pay another ticket because you want to have that experience again.
With acting I am being led by the script, other actors, the director, etc. But with songwriting I feel it is much more self reliant and allows me to be in the creative experience without being as dependent on others.
One of the great things about my job is I get to do all of these things that I may not experience had I not been an actor.
I was emotionally and physically punched in the stomach. This is not a place where you go and deliver the lines and then you come back. It's kind of a life-changing experience. But it can't get better than this for any actor - this is like an opera.
One of the fun things about being an actor is stepping outside yourself and outside of your own experience. It's challenging yourself to totally commit to something that in your core is so wrong.
I have definitely been curious and involved in the process; even as a young actor. I was always looking at where the camera was, what story it was telling. And as my experience grew, I wanted to know even more.
I think there's an essential problem in movies and TV that I think a lot of people experience now: Audiences are way more interested in the actors than the characters that they're playing. It's a strange thing.
I spent a lot of time taking acting lessons... Actors have no inhibitions, and I'm inhibited by everything. To be able to make fun of yourself is a skill and a liberating experience.
I've grown tremendously as an actor by being there. It is comic writing the likes of which I don't know that I'll ever see again and it's been a great, great experience.
The deaf community is in a favorable position because they have a national theatre and training groups of their own to get them started. Deaf actors have often acquired very valuable skills and experience before they get their break.
I had a really great experience so far with film acting. And most experiences from most actors, I've heard, are not like this. But I want a career that has many disciplines and many options.
I wouldn't say I'm a method actor. I do research when I feel I don't have enough experience for the part I'm playing.
The thing about being an actor is that as we get older, there are more and more characters to explore and, in general, they get more complicated, so you get to bring all your crazy life experience to the table.
What I always loved about theater is that that's an experience that a company of actors just sinks itself into for weeks, and you really get to work on the material, and by the time you're in front of an audience, you really own it.
I love bad movies, whereas going to the theater for me is a painful experience. I think it's really hard to sit and watch actors do something live and have it not go well.
Newlyweds shooting budget: 5k for actors, 2k insurance, 2k food and drink. 9k in the can. We only shot 12 days. That's how to make an independent film.
Like most actors, I've always been grateful for Chinese restaurants; they were often the only places that stayed open late enough for performers to get hot food after the show.
There are a lot of perks when you're an actor. Free food at work was my second favorite in the beginning, but my first was the weird stuff. Like seeing celebrities in no makeup and finding out what they ate.
I lived with this tremendous fear of failure because my father was a playwright and a director, and I think he did a couple of things as a child as an actor as well, and he... he failed, basically.
I really like being thrown into the works. Many actors, I have found, have this as a common trait. We had to, as children, adapt to various situations with either a military family or things like that.
