Out of all the actors I have worked with, I love working with Larry Hagman the most. We were very close and it was just a wonderful time.
I love being an actor, and that's really the bottom line - in any medium, in any genre - and I want to do it.
As an actor we're just like workers in a factory, we provide our services to directors. But I must do my job perfectly, and I love what I do.
I actually really like Christopher Walken. I find him a really interesting actor. He's such a character that I love everything he's in.
I'd love to do another television series. I really love the writing process, and as an actor I really like how much you get to examine in television.
I just realized at some point that I was hopelessly in love with the theater. I fought it for a long time because I thought theater was for, you know, insufferable actors.
I love theater. I love sitting in an audience and having the actors right there, playing out what it means to be a human being.
When I go to a movie, I'm always thrilled if I've seen an actor do something and I didn't realize until the end of the movie that that was that person. I love that.
Actors fall into this trap if they missed being loved for who they really were and not for what they could do - sing, dance, joke about - then they take that as love.
The storytelling in a movie is in the cut; it's in the edit. It's not an actor's job, really. Your job is such a tiny little thing, and I love the feeling of juggling or tightrope walking.
There are a lot of actors whom I love, who personalize their work. I want to know everything about them, like De Niro, like Gary Oldman.
There's a lot of romanticisation of the intuitive actor and method acting and all kinds of notions about getting inside a character and coming out from there.
I don't wear a wig. I'd feel terrible onstage with a wig. I hate to be so 'Actors Studio'-ish, but I like to feel it's me out there.
The most important thing for me as an actor playing a character is to make you laugh. That's my No. 1 goal.
It's an incredible privilege for an actor to look into the camera. It's like looking right into the heart of the film, and you can't take that lightly.
It's a scary thing going into the workforce with a $50,000 debt and you've been trained as a classical theatre actor. There's always a depression in the theatre.
The thing is, the studio then forget that you're an actor and that you can do other things, and so since they pay you for that, they don't want you to do anything else.
I'm lucky enough to say my day job is acting. I cut my teeth as a theater actor and playwright in New York.
My tendency as an actor is, when there's a certain energy, I feel a challenge to match it, to come up to that plate and play on the same level.
I'm happy being an actor, it's what I have always wanted to do. I'm just lucky I got to do it so early.
I think my advice to other actors would be to get in classes. Get out in front of people. Put up scenes in front of your peers.
