I love working with children and this young boy, Thomas Sangster, is quite a remarkable young actor. He raises your game, you know. He certainly raised mine.
Drama is my sweet spot, but the thing about being an actor is that you want to do a variety of things. I definitely love fantasy and would want to be in a fantasy project.
I love seeing when actors go from one genre to the next because I feel like most of them can pull it off.
Being an actor in L.A. is like being in prison: you go, you serve your time, you try to replicate Johnny Depp's career - and then you move to Paris.
William Hartnell was one of the finest character actors of our time, and as a fan, I want to make sure that I do him justice.
As a young actor, I booked a movie in the U.S. I didn't speak any English at the time, so I learned my lines phonetically when I auditioned for it.
I'll miss the relationships I have built with these actors. I'll miss the devotion we have to this work. Over this length of time, the tendency is to think it will never end.
I've been an actor for 14 years now and a lot of that time was spent in theatre and television. Then I moved to L.A. to try and build upon that and it's starting to pay off!
I did the whole struggling actor thing and lucked into being in the right place at the right time and getting involved in the first 'High School Musical.'
Directing remains very psychological, and it takes a lot of time and reflection. When you're an actor, it takes less time, and you can express yourself physically.
Somebody did an article in one of the newspapers saying that at that time I had the most visibility of any actor around. Kind of nice, you know, when that thing was happening.
Script comes first, then the actors, then you gotta be lucky enough to get the right time slot. Then people have to watch.
Hopefully, I can follow in Leonardo DiCaprio's shoes. I probably say this in every interview, but he is one of my favorite actors of all time.
I don't have a Twitter account. I don't go to fan club gatherings. I'm not one of those actors who spends a lot of time engaging with the audience.
The worst thing for an actor is to be stuck in one kind of thing. But if you're not in people's faces all the time, you can lose traction. And that affects the choice of things you get offered.
Working for Disney for the last eight and a half years, people come and go - production staff and actors. I stepped onto the sound stage and it was a literal time warp.
I've always wanted to be on a show that's well respected and had critical acclaim and that people like to watch, and at the same time find something that, for me, as an actor, is interesting and challenging.
When you're the lead actor in a drama, you have 2 1/2 months at the end of a season to do other projects, and everything has to get done in that time.
I'm inspired every time I see a role I'd like to play, an actor turn in a well crafted performance, a story I'd like to tell, direct or produce.
I remember a time when I was younger, when if you had to see an actor, you had to go to the theatre and watch a film.
I'm a task-oriented actor. A pretender. And I try to invent my process anew each time I make a new project. So I frown on any method.
