I go into meetings with some film-makers and they literally have nothing to say, they're almost bored by their own material. I'd rather work with people who are very passionate and very animated about what they want to do. People who just want to tel...
Since 1970, I've been using text and ephemera as well as photographs in order to tell stories of one kind or another. There's a thread that runs through all the work that is to do with bearing witness. The photographs are about asking questions, thou...
In my work, I just want to tell a story and help people go on a journey. I'm glad any fans that I do have, and I'm usually not aware of it until I get out there or read a message board. I want to thank everyone who follows my work.
Writers collect stories of rituals: John Cheever putting on a jacket and tie to go down to the basement, where he kept a desk near the boiler room. Keats buttoning up his clean white shirt to write in, after work.
I'd want to read the stories that I'd written, I'd want to show the drawings that I made. That was just purely natural. So I knew I wanted to go into the arts in some way and that I'd want to show that work in some way.
I hate acting when I see it. I don't want to feel it, I don't want to see it, I want to be taken away with the story - I don't want the actor's ego in front of me. That's what I try to live when I do the work.
There are confirmed stories of people who can break instruments and cause them to fail by walking in a room. I'm the opposite - I can walk into a room and something will work better than it is supposed to.
If you like a story that's totally different and won't know which way it's going... where it's go ing to end up and which way it's going to take you, then I think my work fits the bill.
Who I am, what I am, is the culmination of a lifetime of reading, a lifetime of stories. And there are still so many more books to read. I'm a work in progress.
I'd like to do the young cadet thing again for sure, but that's why I wanted to do this, to see if I could do it. I took the scenes out of the script and put them together and read them as one little arc, story and that seemed to work.
I enjoy stories about thin women - I read them frequently. I enjoy them; I root for those characters, but I always feel like there are enough of them out there and there are enough of them in the spotlight.
My grandfather was a general in the Nationalist Chinese Air Force during World War II, and I grew up hearing the pilot stories and seeing pictures of him in uniform.
If you're going to write about war, which my books are about, wars are nasty things. I think it's sort of a cheap, easy way out to write a war story in which no one ultimately dies.
Many people, after spending a long weekend being stealthily seduced by this grand dame of the South, mistakenly think that they have gotten to know her: they believe (in error) that after a long stroll amongst the rustling palmettoes and gas lamps, a...
Isn't there a flaw in the logic of that phrase - speak truth to power? It assumes that power doesn't know the truth. But power knows the truth just as well, if not better, than the powerless know the truth. Enron knows what it's doing. We don't have ...
In the 1991 movie, , Jack Palance gives Billy Crystal some profoundly simple advice. When Crystal asks him the secret of life, Palance holds up a forefinger, answers with a single word: "One." Choose one thing. Do it to the best of your ability. Let ...
Simon?” “Yeah?” “Can you tell me a story?” He blinked. “What kind of story?” “Something where the good guys win and the bad guys lose. A nd stay dead.” “So, like a fairy tale?” he said. He racked his brain. He knew only the Disn...
I had begun to see a new map of the world, one that was frightening in its simplicity, suffocating in its implications. We were always playing on the white man's court, Ray had told me, by the white man's rules. If the principal, or the coach, or a t...
This was true enough, though it did not throw any light upon my perplexity. If we had heard of it to start with, it is possible that all the family would have considered the possession of a ghost a distinct advantage. It is the fashion of the times. ...
He does love prophesying a misfortune, does the average British ghost. Send him out to prognosticate trouble to somebody, and he is happy. Let him force his way into a peaceful home, and turn the whole house upside down by foretelling a funeral, or p...
White heterosexual male characters need not disappear from narratives. They need not stop being central focus of some stories. They just need to stop taking most of the narrative space, and make more rooms to other types of protagonists: persons of c...
