I like to explore a lot of textural, arrangement aspects in the studio.
Of all studios that should be doing 2-D animation, it should be Disney.
Choreography is mentally draining, but there's a pleasure in getting into the studio with the dancers and the music.
I'm a studio rat. I like going in there as producer.
In the studio, I'm always throwing people on different instruments.
I joined the Actors Studio and began to work with Lee Strasberg, and that changed my work.
It's an amazing feeling to go into a studio and really be alone.
Writing on a contract for a major studio you get the very best.
When I went into the studio I created a sound that I wanted to hear.
To do a studio film, something with Disney. My father is thrilled.
In L.A., I live right across from Universal Studios.
It's different playing in a studio than it is playing live, of course.
I am always locked in my design studio.
The studios don't finance anymore, they get outside funds.
I do love being in my studio. Especially at night.
You knew everybody at all the studios and you saw them often.
If you look at successful studios, they're the ones with stabilized management.
I'm a big believer of daylight in the studio.
If I wasn't the head of a studio, who would talk to me?
Just writing and being in the studio was like therapy for me.
Nowadays, I really like playing in studios.
