I definitely want to study film. I'd like to have my own studio one day and just make a lot of movies.
My ideas come when I least expect it, so I've always got to have a studio nearby or close by somewhere.
I just like to do covers, every once in a while. If someone pays me to go into the studio, I'll do it.
It's a real luxury to have a studio all to myself, somewhere to start mood boards for the next collection.
I hardly ever go into the studio with a work complete in my head. It emerges from communal activity.
Most films I work on, the people making the film are constantly second-guessing the executives of the studio, the producer, and the audience. It is very hard to accomplish anything in that situation.
I wish I was born in that era: dancing with Fred Astaire and Gene Kelly, going to work at the studio dressed in beautiful pants, head scarves, and sunglasses.
I would have been content to just do studio work, making it on my own never really entered my mind.
A studio allows you to indulge your untidiness and your penchant for toys and curiosities that really wouldn't work in a grown-up house.
You can no longer just have a magazine that shows you this glossy impervious image of women - in the studio, artificial, wearing a push-up bra.
We've been working with the very best in the business. The studio really just let us alone to make the films.
It's nice because success has allowed me to have a blast on stage, to be in the studio with amazing people, but I find it all a bit bizarre.
Once I got out of architecture school I decided not to be an architect, I just started my own little design studio.
Ke$ha is her art; there is no curtain you peel back to find the real person. And with Ke$ha, you never know what to expect when you're in the studio.
A lot of people think that I grew up in recording studios and knew the whole process, but that was never the case.
Studios are passe for me. I'd rather play in a garage, in a truck, or a rehearsal hall, a club, or a basement.
I want to build a studio in my backyard. The interest rates are low now, so who knows.
Walt gave me a VIP tour of the studio. I remember people doing voices.
I think you get in trouble if you make experimental big studio films.
What I learned from the Beastie Boys was to be independent. They set up their own world separate from the label. They built their own studio.
If I had a choice about going to a meeting at a studio or changing a nappy, I'd choose the nappy.
