I don't think that Slaughterhouse-Five was successful movie material. In fact, Vonnegut's books mostly I don't feel are movie material.
Keanu Reeves is, like, the worst actor I've ever seen. I can't believe he's a movie star.
I also care that the public are getting their 12 dollars worth when they go to a movie, and that they're not coming out not wanting to ever see a movie with me in it again.
I'd love to do movies and be on TV. But I think if I transitioned into TV/film completely, I would really miss singing and dancing. It would be ideal to be cast in a movie musical!
I have to understand how we are going to market the movie. We view marketing as an extension of content creation... Every time a consumer sees our movie, in whatever form, our obligation is to entertain the audience.
Everything I've wanted to turn into a film becomes something new and different when it becomes a movie... Each time I work with an author, I say to them, 'A book and a movie are different things.'
I don't think people understand what it takes to make a movie unless they've experienced it themselves or been around it. It's a miracle every time you make a movie, and a bigger miracle if it turns out well.
There's something that's very human about 'Warriorv that brings you out. You're watching the movie and, yeah, there's fighting - there's a tournament at the end of the movie - but it takes a long time to get to know these people.
Ninety percent of the time, you're going to hear no. It took me seven years to make 'Once Upon a Time... When We Were Colored.' Nobody wanted to see the movie made. I got the movie made.
Paprika: It seems you have quite a fondness for movies. Detective Kogawa Toshimi: I don't really like movies all THAT much...
Unless you're the director on the movie, or putting up the money for the movie, you really don't have a lot of control.
For me the greatest source of income is still movies. Nothing - stocks, financial speculation, real estate speculation or businesses - makes more money for me than making movies.
People tend to compartmentalize themselves into IT people, and movie star people, and scientists, but when we share our perspectives about nature, we find a common denominator.
There's no one 'right' way of making a science fiction movie; there's no one way of making any kind of movie, really!
I tried to get a baseball movie made a couple of years ago and I don't think it didn't happen because I was a woman, but because sports movie don't sell internationally.
I'm a fan of some horror. Some of the really corny b-horror movies I don't love so much, but 'Rosemary's Baby' is one of my favorite movies.
I love watching the old movies. I love Katharine Hepburn. I just adore her and everything that she stood for. I find it interesting watching the likes of Gene Tierney and those classic movies of the '40s.
I don't have this crazy dream about going to Hollywood, because I really love to watch movies and do movies that are complicated, and I want more strange things and complicated things.
Is making a movie true love if you're a creative person? It could be. But in my world, the importance of being a father and having kids and knowing that connection is true love. Making a movie is love.
I really love Andrew Dominik's movies. When you work with someone whose movies you really love and who you have a lot of admiration for, you turn into putty in their hands.
I work in the '60s more than I've done anything else. I did a movie, called 'Down with Love', in the '60s. I did a movie for HBO about the Johnson administration in the '60s.
