I was never a part of the Actor's Studio, because two friends of mine started it in 1947 and by that time I'd gone to California.
Studio people are idiots. Until they see someone else doing it and make a success of it, they don't open their minds. Most of them are idiots.
I don't want to spend a month and a half in a studio with music I don't like, and fortunately I don't have to.
Studios never put pressure. They know the kind of films I want to make.
I realized I liked being in the studio and working on translating the ideas into recordings.
I've never done a big studio film, I've only ever done little ones.
The most positive step is to try to expand the employment base by making it, if not economically friendly, at least not economically disastrous, for studios to take on deficits.
The studio have always claimed that the ship is the star of the show, especially when they're renegotiating contracts.
I like performing live more than anything. I get a little bit afraid in the studio.
I create women characters by watching the female staff at my studio. Half the staff are women.
I find it soothing, the thought of a movie theater.
I'm a freak for great movies. I love movies.
Any good movie is filled with secrets.
I know my movies. I love my movies.
Movie magic is movie magic and acting magic is acting magic.
Because actors don't get to pick movies; movies pick the actors.
For horror movies, color is reassuring because, at least in older films, it adds to the fakey-ness.
For me, horror movies are a real escape.
Hollywood is throwing action movies at me.
Don't be a victim; if you want to make movies, make movies.
Movies are not scripts - movies are films; they're not books, they're not the theatre.
