I love working with male actors, and I think there's a tendency to write really interesting characters that would work solely alongside men where they would be in a man's world and have to deal with that, and it creates a lot of interesting storyline...
Write with abandon and no constraints for first draft. Cut brutally and save in separate files on second draft. Add conflict; don't be afraid to make your characters suffer. Read what you love. Write what you love. Love.
I don't own an ounce of the work I've ever done on 'Batman,' and I still work on 'Batman.' I love the character, I think it's a lot of fun, and it's kind of fun to be in that ballpark every once in a while, where you're seeing a different crowd.
I always think that I love doing what I'm doing at the moment. The past is over. I can't go play one of those characters again. But I can play this and I can continue to grow in what I'm doing at the moment and that's really what I'm thinking about n...
Spiderman was my favorite comic book character growing up. I'm a geek, so I love the fact Peter Parker is into science. And I gravitate towards short guys. I'm 5' 9" now, but in junior high, I got picked on because I was 4' 8".
Language is always evolving. It's difficult to read Shakespeare now because language has shifted. Similarly, kids these days can get to the point really quick in about 140 characters or less because of these new tools.
The point of my explanation is I'm very subjective when it comes to describing my characters: they are all a little bit a part of me from the outside in or the inside out - but to put your mind at ease, I built Paul Snider from the outside in.
It's always scary when you're doing a sequel to a film, because you don't want to just repeat the first film in a different location like most sequels. You want to do something totally different, and something that actually expands the world of the m...
Psychiatric diagnoses are considered to be technical and bounded; you are either in or out. In contrast, a biblical perspective puts many interpersonal differences on a continuum: people may have more or less of something. This is relevant to sins, s...
Every quirky girl doesn't have to be the best-friend character. It's a very limiting and self-fulfilling prophecy. People only write things that will get green-lit, so they write to those stereotypes.
Stardom is just an uneasy seat on top of a tricky toboggan. Being a star is merely perching at the head of the downgrade. A competent featured player can last a lifetime. A star, a year or two. There's all that agony of finding suitable stories, keep...
Giving style” to one’s character - a great and rare art! It is exercised by those who see all the strengths and weaknesses of their own natures and then comprehend them in an artistic plan until everything appears as art and reason and even weakn...
I'm from Port Arthur, Texas! Little guy! Little character guy from one of the saddest oil-refinery towns in America. And here I was driving over to Beverly Hills, to 20th Century Fox, to be on 'M*A*S*H!'
Sometimes when you play a character, you can feel it in your body. And I felt like I had characteristics of my dog: the way Webster moves, the way he holds his head. I kind of adapted it into this part unconsciously.
When you have a script, and you're discussing what it can be, and who going to play what role, that's a kind of like a fantasy football game. You can imagine these different dream teams interpreting these characters that only exist in your head.
I don't believe you can get into somebody's character but more that somebody comes in you. You just use yourself. In everything I play, I feel like it is me. I just say different things on different times and look different.
I watch these actors who when you go to buy a pint of milk you see them smiling on the cover of 20 magazines. Then when you see them in a film it's hard to believe the character because you just see them everywhere.
We have defined these characters - people always expect to see me in a pencil skirt. When they see me out of one - much like when they see Jon Hamm's hair when it isn't slick - they say, 'Wait a minute, you're all 2010!'
So when I write characters and situations and relationships, I try to sort of utilize what I know about the world, limited as it is, and what I hear from my friends and see with my relatives.
When I was in school, I was always writing scripts and dressing up as characters. I'd constantly be that guy who'd get up on stage. I used to write imaginary TV shows, like soap operas, for fun.
A house is very much like a portrait. I cannot disconnect houses from people. The thought of arrangement, the curves and straight lines. It gives an indication of the character at the heart of it.
