It was character that got us out of bed, commitment that moved us into action, and discipline that enabled us to follow through.
With the work that I do as a director, I've got dialogue, camera movement, and character blocking to help create a tone to the piece. In photography, those elements are somewhat void so that tone becomes a bit more subtle but still equally important.
I look for material that both interest me and challenges me. If I am drawn to the material and I have to work hard at it, the characters and the plots reflect the hours and hours of research.
I give everything to my work, and I like complex roles, characters that aren't obvious. I've been very lucky so far, and I'm dreaming of working with directors like Jane Campion, Susanne Bier and the Dardennes. But the gods will decide.
The writer must be a participant in the scene... like a film director who writes his own scripts, does his own camera work, and somehow manages to film himself in action, as the protagonist or at least the main character.
Cognitive and character skills work together as dynamic complements; they are inseparable. Skills beget skills. More motivated children learn more. Those who are more informed usually make wiser decisions.
I start with actors that I know personally or I know their work, and there are things about their work or their presence or their own personality that make a character, that exaggerates some qualities and suppresses other qualities. It's always a rea...
I was never an ingenue. I've always just been a character actor. When I was younger, it was a real problem, because I was never pretty enough. It was hard, not just for the lack of work, but because you have to face up to how people are looking at yo...
The roles I was lucky enough to get were real stretches for me: usually a character who was older, or a little weird, or whatever. And it was hard, not just for the lack of work but because you have to face up to how people are looking at you.
There's something about uninterrupted singing that just doesn't work for me, because at some point, I need my characters to talk. Without meaning to offend anyone, a musical like 'Les Miserables' would be the last thing I'd ever be interested in.
Well, thank you and that's for them, but for me, I want to look back at a body of work where when you do the research and you explore the psyche of a character, where she's been, where she is and where she's going.
For me, you don't ever want to be defined by the color of your skin. You want to be defined by your work ethic, the person that you are, your character, your personality. That's what I've tried to go out and do.
I never pictured myself in California. I just thought I would be a character actress in New York on the stage. I never really had that stardom goal; I just wanted to be able to work as an actress and not as a waitress.
If you start to disrespect the character you're playing, or play it too much for laughs, that can work for a sketch, it will sell some gags, but it's all technique. It's like watching a juggler - you can be impressed by it, but it's not going to touc...
I was creator and executive producer of 'The Brady Bunch' on TV. The stage version was done by others, but it was a repeat of the old scripts. The 'Gilligan' musical is a completely original work with all seven characters and 18 original songs.
Individuality is founded in feeling; and the recesses of feeling, the darker, blinder strata of character, are the only places in the world in which we catch real fact in the making, and directly perceive how events happen, and how work is actually d...
There are expectations in how you play your character as a black woman, to be sassy and the same kind of feel, as if there are no quirky black women. I struggle with those things constantly, trying to add dimension to my work, and that's the goal, to...
Life is filled with unanswered questions, but it is the courage to seek those answers that continues to give meaning to life. You can spend your life wallowing in despair, wondering why you were the one who was led towards the road strewn with pain, ...
Carter, it’s not about sex. It’s about showing our love for one another. It’s about expressing our feelings for each other without words. It’s about two people who share a connection so strong, so deep that no one could take it away.
The sticky marital truths: - Friendship lasts longer than romance. - Romance adds icing to the friendship cake. - There are times when neither romance nor friendship keeps a couple strong.
So finally we tumble into the abyss, we ask God why he has made us so feeble. But, in spite of ourselves, He replies through our consciences: 'I have made you too feeble to climb out of the pit, because i made you strong enough not to fall in.
