A lot of my work has to do with not allowing my characters to have an ego in a way that the stomach doesn't have an ego when it's wanting to throw up. It just does it.
Hard work spotlights the character of people: some turn up their sleeves, some turn up their noses, and some don't turn up at all.
If a novelist has created vivid characters, interesting relationships, settings the reader can easily imagine, and intriguing stories, a screenwriter has loads to work with. The challenge comes with deciding what to cut and what to keep.
When I'm writing a book, sentence by sentence, I'm not thinking theoretically. I'm just trying to work out the story from inside the characters I've got.
When you work on anything, you want to find the range of impulses - which ones get portrayed is another question, but you want to have that complexity and that fullness, even if you're playing a cartoon character.
I made a decision not to work out because I'm lazy and also, the character is not a superhero. I didn't want him to be a buff guy with Jackie Chan moves because the point is he's smarter than your average Joe.
Tommy Lee Jones is hilarious. I would say, if you look at the body of his work, the character he is most like is the one in 'The Fugitive.' That's how he talks and jokes. That is the type of energy he has.
I just want to keep writing characters who are interesting and complicated people and interesting roles for women, in TV or film or in theater. I think that's like my 'Blues Brothers' mission.
Older women know who they are, and that makes them more beautiful than younger ones. I like to see a face with some character. I want to see lines. I want to see wrinkles.
I like characters who are larger-than-life, whether life-loving women or the artist or guru who grabs everything. But I don't live among people like that.
I grew up with 'Jane Eyre,' reading it at school, and it's one of those, I think, for a lot of women, a lot of girls, it's the iconic story and so many girls relate to Jane Eyre and her character.
With Vietnam, the Iraq War, so many American films about war are almost always from the American point of view. You almost never have a Middle Eastern character by name with a story.
There's no better way to test a person than to put them in the middle of a war. That's clearly going to show what kind of a character you're telling a story about.
He was talking. I tried not to think of how he looked and instead of what he was telling me. Once I accomplished that, my brain couldn’t get past the ‘running’ part. “I don’t run.” I walked the mile run at school. True story. I abhorred a...
I have a little theory that I'd like to air here, if I may. What is it that you think makes you magicians?" More silence. Fogg was well into rhetorical-question territory now anyway. He spoke more softly. "Is it because you are intelligent? Is it bec...
This week in live current events: your eyes. All power can be dangerous: Direct or alternating, you, socket to me. Plugged in and the grid is humming, this electricity, molecule-deep desire: particular friction, a charge strong enough to stop a heart...
Does it help if we're so strong-willed, stubborn, ambitious, and selfish that we always overcome everything in our way no matter what?" asked Wang-mu. "I think those are the pertinent virtues, yes," said Peter. "Then let's do it. That's us in spades.
I don't feel as strong today as I do on other days, but I know Your strength will prevail in my weakness. The enemy is always trying to fill me with fear and doubt and make me abandon this mission. Help me ignore the lies and have courage to go on ea...
Miss Jenkyns wore a cravat, and a little bonnet like a jockey-cap, and altogether had the appearance of a strong-minded woman; although she would have despised the modern idea of women being equal to men. Equal, indeed! she knew they were superior.
Death is my art form--when I fight, I'm a ballerina. Graceful. Chi lacks my grace, but makes up for it in energy and enthusiasm. His fighting style is like breakdancing--strong and frenetic with some really sweet moves. Jo's is . . .the Macarena. Ugl...
The Lord is your shepherd; don’t ever say “I am lost”. He leads you to green pastures; don’t ever say “I am broke”. Let the weak shout; “ I am very very very strong”!
