Imagine for yourself a character, a model personality, whose example you determine to follow, in private as well as in public.
He has such a clear vision of exactly what he wanted out of each character, out of each set, out of each wardrobe change, out of each emotional beat, and action.
If a character dies, you get to do a big, juicy death scene. But the flip side is you're out of the sequel, which is where the real money is.
Modern thought has transferred the spectral character of Death to the notion of time itself. Time has become Death triumphant over all.
Spiritual formation is character formation. Everyone gets a spiritual formation. It's like education. Everyone gets an education; it's just a matter of which one you get.
A solid theatrical education can only improve a screen performance. It gives you a fuller capacity to read a script and understand a character, for one thing. It's important to alternate between the two activities.
I'm not afraid to have a character say, 'I am a Christian,' or, 'I believe in God,' because I think they represent real people on this Earth.
The great thing about performance capture is you can go off, and then, without changing costume, you can become another character.
I like 'The Simpsons' quite a lot. I love the irreverent character of the whole show. It's great.
What Tim does is, he calls me and sends me the script. And then he sends me a drawing, an illustration of his image of me as the character. It's so great.
There's no shortage of orphans in 19th-century literature, but it's hard to find a single happy, communicative, functional parental relationship in the whole of 'Great Expectations,' even among the minor characters.
You can have a great character in a really bad script, and the film will never be seen. It's just too much work to commit to a film and not have it released.
I have a vision of artists putting into film, drama, literature, music, and paintings great themes and great characters from the Book of Mormon.
I think so, Silence of the Lambs was a great, suspenseful thriller and I would expect Red Dragon to be similar. And I think it's very character driven.
Plot, rules, nor even poetry, are not half so great beauties in tragedy or comedy as a just imitation of nature, of character, of the passions and their operations in diversified situations.
Most mainstream male fiction is littered with heroines, and female characters are basically so great, you want to fall in love with them.
All you ever really want is a great character and great writing. As an actor, that's the juiciest sandwich you could ever ask for.
I never would rule out a great character or a great story. I don't care what the forum is. If I get to tell a story that I'm excited about, I'm in.
Inspector Rebus is a great character, so when the opportunity came up to revive the role for 'BBC Children in Need,' and really have a bit of fun with it, I was happy to take part.
Exposing characters and their shortcomings gives me great comfort. It's always great to write about someone more mixed up than yourself.
You can be interested in a Jane Smiley novel whether or not anyone says a word. She enters into her characters' thoughts with great understanding and depth.
