It's been a lot of fun from script to script to get inside the mythology of 'Grimm.' We've been given a lot of freedom to explore the mythology as well as the backstories and interpersonal connections of the characters.
I think our failure in the production of good town churches of distinctive character must have struck you often, as it has me, when contrasted with our comparative success in country churches.
I always find that really interesting, you know, when I get to see characters that I love in TV and film and theater around their family.
The story follows the whole family. But pretty much all the characters who are in jail have written a book about it, so you've got their perspective of it, however skewed they want you to see it.
TV has gone back to basics, relating to middle class family with real characters, less make-up and simple shots. I feel as an actor it is a delight to work in such shows.
I think every time there's a show like 'Modern Family' or 'Will & Grace' that portray gay and lesbian characters and is successful, it just further opens the door.
A person however learned and qualified in his life's work in whom gratitude is absent, is devoid of that beauty of character which makes personality fragrant.
I think that the beauty of 'Spud' is that everyone can connect to the character of Spud in so many ways. It's about real experiences that happen to kids all the time.
I'll keep on acting 'til they wipe the drool. I like the business. I like to do different parts and diverse characters. I haven't lost my enthusiasm yet!
I think there are probably a handful of real character actors in this business. The rest of us are recycling. So now I'm Sam Malone the editor. I'm Sam Malone the billionaire.
Slater's a big star and he's been in the business a long time. He's always in a good mood and easygoing but he takes his character very seriously.
That was the fun of acting, being a blank canvas you could transform into the character - Indian princess, 20s vamp, Mother Courage, Oxford don, 94-year-old wife.
I would like to do a musical, if I could find a cool one. A song-and-dance role is closer to me personally than other characters I play.
When I realized that if I was an actor, I could be any character I wanted instead of just one particular, I was like, 'Wow, that's cool.'
Sometimes I've felt that the industry has typecast me as a certain kind of character. But then I think all it really takes is one role, the right role, to shake that up and change that perception.
When characters change on screen, it makes you feel better about yourself. You think, 'Oh I change too, I'm constantly becoming a better person.'
You can't go around hoping that most people have sterling moral characters. The most you can hope for is that people will pretend that they do.
The job of an actor is the same in all of them, really. I mean, you're just creating a character that you hope people will believe, so it doesn't make that much of a difference really.
It is not true that suffering ennobles the character; happiness does that sometimes, but suffering for the most part, makes men petty and vindictive.
Once we got over the origin story, we could really delve deeper into their lives and characters and angst. So this movie actually has more heart, more humor.
A key goal for an author of history is to persuade his or her readers to forget what they know and to relive the world as it unfolded for characters of the time - with outcomes uncertain.
