When I entered college, it was to study liberal arts. At the University of Pennsylvania, I studied English literature, but I fell in love with broadcasting, with telling stories about other people's exploits.
I would definitely like to continue playing Aquaman. Playing a superhero is a lot of fun. Creating these stories is a lot of fun. I do what I love. And what I love is entertaining people.
I love Sherlock Holmes, but I love any of these old stories where the writer was paid by the word, so the adventures just continue forever. They are almost like they were meant to be read out loud.
I love films. I love music. I love poetry and stories. All of that I feel... I sort of get very excited and fed by.
I love to feature children and young adults as real people - flawed, naive, virtuous, venal - but real. I think it adds nuance and depth to the stories that wouldn't exist without them.
I love vampire stories. That's why I did the movie. Women especially were taken with that movie-even more so when it came out on video.
In the end, my story, in Iraq and afterward, is about more than just killing people or even fighting for my country. It's about being a man. And it's about love as well as hate.
I love rewriting because that is where and how you discover the story. It's like you have this skeleton, and you get to put flesh on it and hair and clothes and really wonderful jewelry.
I love to walk through the streets of Jesus Maria and Pueblo Libre. The Spanish colonial buildings are in bright colors, two stories high, with these intricate wooden, windowed balconies.
In this movie, you have all the things you love from Tim. All the magic and the whimsy and the surreal, but he also has a fantastic story of a father and son that really gets under your skin.
I love the grandiosity of Hollywood movies, and even in independents, I love the canvas you can tell your story on. I love fiction filmmaking, you really feel like you're creating something.
I collect axioms, paradoxes, maxims, teaching stories, proverbs, and aphorisms of all sorts, because I love to see complex ideas distilled into a few words.
The truth is that there is only one terminal dignity - love. And the story of a love is not important - what is important is that one is capable of love. It is perhaps the only glimpse we are permitted of eternity.
I like historical fiction. I fell in love with New Orleans the first time I visited it. And I wanted to place a story in New Orleans.
I love traveling. But I haven't had big, transformative experiences while on the road. When I go out on the road, it's to go out and get a story or do a promotional event.
The love scenes that worked, regardless of the director, were the ones where the actors weren't fearful. When somebody was fearful, you could see it right away. It takes you out of the story, and that's to be avoided at all costs.
I would love to see more women directors because they represent half of the population - and gave birth to the whole world. Without them writing and being directors, the rest of us are not going to know the whole story.
You can use martial arts to tell a different story. Ang Lee used martial arts in 'Crouching Tiger, Hidden Dragon' to talk about love.
We use shorts at the studio extensively to develop talent. I always love to give opportunities for young story people, animators, layout people something like that to take the next step up in their career and try things out.
I'm so excited to see 'Horns' because it's so many different genres in one film. It's a sci-fi, it's a love story, it's a horror movie, it's a fairy tale.
I love writing, and I love the solitude of the writing, in that you're just sitting there creating something from nothing, or a new story for characters you love and care about.
