Macaulay Connor: C.K. Dexter Haven, I would like to talk to you. C. K. Dexter Haven: Well, let's go in the talking room.
Tracy Lord: English history has always facinated me. Cromwell, Robin Hood, Jack the Ripper. Where did he teach? You're father, I mean.
Lydia Howland: Mom... Can you tell me what the story was about? Dr. Alice Howland: ...Love! Lydia Howland: That's right mom... It was about love.
Squints: [In the tree house, telling the story of the mutant dog who lives next door] ... after a while the cops started getting calls from people reporting all the missing thieves...
Woody: Hey, who's got my hat? Mr. Shark: Look, I'm Woody! Howdy, howdy, howdy! Woody: Ha-ha, ha-ha... [snatches his hat away] Woody: Gimme that!
Woody: Hey, Etch... Draw! [Etch draws a picture of a gun] Woody: D'oh! Got me again! Etch, you've been working on that draw. Fastest knobs in the west.
Rex: What if Andy gets another dinosaur? A mean one? I just don't think I can take that kind of rejection!
Buzz: How dare you open a space man's helmet on an uncharted planet? My eyeballs could have been sucked from their sockets! [closes his helmet]
Buzz: I am Buzz Lightyear; I come in peace. Rex: [shaking Buzz's hand] Oh, I'm so glad you're not a dinosaur!
Bo Peep: What would you say if I get someone else to watch the sheep for me tonight? Woody: [blushing and giggling] Oh-ho yeah. Thought so.
Announcer on Intercom at Pizza Planet: [At Pizza Planet] Before your space journey, re-energize yourself with a slice of pepperoni, now boarding at counter three.
Lenny the Binoculars: [Sid lights the rocket on Combat Carl] He's lighting it! He's lighting it! Lenny the Binoculars: [toys start to duck] Hit the dirt! [explosion]
Lenny the Binoculars: [Lenny spots RC Car rocketing toward the open moving van] Hey, look! It's Woody and Buzz, comin' up fast!
Maria: My brother is a silly watchdog! Bernardo: Ah, my sister is a precious jewel! Anita: What am I, cut glass?
The Jets: [singing] Here come the Jets, like a bat out of hell - Someone gets in our way, someone don't feel so well.
Tony: [angrily] I ain't playing anymore, CAN'T ANY OF YOU GET THAT? Anybodys, Tomboy: [agitatedly] BUT THE GANG! Tony: You're a girl! be a girl and beat it!
Anybodys, Tomboy: [spitefully] Bernardo's girl wants to help? Action: Even a greaseball's got feelin's. Anybodys, Tomboy: But she wants to help get Tony! Anita: [panicking] NO!
Glad Hand, Social Worker Leading Dance: I want you all the form two circles. The boys on the outside and the girls on the inside. Action: Where will you be?
The fact that the movement was carried on by women who, for the most part, had no money of their own and were totally inexperienced in organization, and that they won their fight in about two generations, makes a story often dramatic and always worth...
And I like being able to go back and forth, and I don't really care if it's a small budget or big budget or studio or independent, as long as it's got a story that's compelling and there's enough money to make the picture.
As a screenwriter, there's so many layers you have to go through in order to tell your story. You have to write the script, get money for the script, shoot it, find distributors, make it into film festivals, all of that just to get to your audience.
