I pecked my stories out two-fingered on the Remington portable typewriter my mother had bought me. I had begged for it when I was ten.
It's kind of beating a dead horse if you're talking about going out and saying wrestling's fake, or this or that. People don't want to hear that. They want to hear, they wanted to find an inside story.
It's always about finding the right balance between answering some questions and raising new ones to keep your story going.
Stories surge up out of nowhere, and if they feel compelling, you follow them. You let them unfold inside you and see where they are going to lead.
If I had not been successful as a director, then I'm sure I would still be telling stories. I would have continued on 16mm or found a different medium through which to tell them.
First-person narrators can't die, so as long as we keep telling the story of our own lives we're safe. Ha bloody fucking Ha.
Stories live in your blood and bones, follow the seasons and light candles on the darkest night-every storyteller knows she or he is also a teacher..
There are a lot of laughs in this movie, but it's not just about the laughs. It's really about the story, about a guy who finds his soul and realizes what's truly important.
Conventional forms of narrative allow for different points of view, but for this book I wanted a structure whereby each of the main characters contributed a distinctive version of the story.
The pleasure of writing fiction is that you are always spotting some new approach, an alternative way of telling a story and manipulating characters; the novel is such a wonderfully flexible form.
What we gain in the world, we lose in the world, forgotten in death. We must rather fancy what we brought into the world, for therein lives our story, our legend.
I had just done what she does in the story just about a year earlier - I moved from New Jersey and came to New York and was working at a bar, and you know, trying to make it.
No one has really heard my side of the story, the adventure we had together, the transformation that I had going from a schoolgirl to a woman overnight.
I really believe that studying organization, even in the form of studying detective story organization, is very, very valuable for a playwright, a budding playwright.
What theatre started to look at much earlier than any other form was the internal operations of ordinary people, sometimes using mythic models in order to tell the story.
You have to suspend disbelief a little bit to buy into your situation and to the story and to how the character will react. You have to tweak your credibility a little bit, is basically what it comes down to.
It is expected that a children's story will raise a difficulty and then resolve it: increasingly, this resolution is so prompt and so resounding that one forgets what exactly the difficulty was.
I have these huge black foam boards on the wall, and tacked to them, I have these white punch cards with my story ideas, scenes and notes.
Anything is possible." "You really believe that?" "It's what the great love stories are about, right?Beating the odds.
I write short stories when a little idea occurs to me, that I know isn't a part of a novel that will stand by itself and should be concentrated.
I don't want to be somebody who stands still and sings pretty. Each song is a world. Each song is a story. I don't achieve nearly what I want.
