Dr. Millard Rausch, Scientist: This isn't the Republicans versus the Democrats, where we're in a hole economically or... or we're in another war. This is more crucial than that. This is down to the line, folks, this is down to the line. There can be ...
Phil: Come on, *all* the long distance lines are down? What about the satellite? Is it snowing in space? Don't you have some kind of a line that you keep open for emergencies or for celebrities? I'm both. I'm a celebrity in an emergency.
[last lines] [Sean reads a note from Will: "Sean, if the Professor calls about that job, just tell him, sorry, I have to go see about a girl."] Sean: Son of a bitch... He stole my line.
Tiffany: You know, for a while, I thought you were the best thing that ever happened to me. But now I'm starting to think you're the worst. Pat: Of course you do. Come on, let's go dance.
Tiffany: No walk, no letter. Walk to me like I'm Nikki. Do it, come on, I'm Nikki. Pat: You're not Nikki. [does the walk anyway] Tiffany: Yes! Do you feel that? That's emotion. Pat: I don't feel anything.
Ronnie: Oh, she's a mess. You gotta be careful. She goes to a lot of therapy. Pat: I go to a lot of therapy, Ronnie. What are you trying to say? Ronnie: I'm just saying.
Pat Sr.: ...and I'll take that fucking camera and I'm gonna break it over your fuckin' head, then I'm gonna come back and interview you about what it's like to get that fuckin' camera broken over your head!
[first lines] Private Edward P. Train: What's this war in the heart of nature? Why does nature vie with itself? The land contend with the sea? Is there an avenging power in nature? Not one power, but two?
Paddy Conlon: Listen to me. I thought maybe we could break bread. You know, just open some lines of communication. Brendan Conlon: You got two lines of communication. You got the telephone and the post office.
By the time I got to the point where I was 'starring' in movies, and I had executives telling me what lines to say, that wasn't for me. I'm really not an actor. I'm a guy who comes out of comedy, and my impetus was always to rewrite the line to make ...
Betsy was so full of joy that she had to be alone. She went upstairs to her bedroom and sat down on Uncle Keith's trunk. Behind Tacy's house the sun had set. A wind had sprung up and the trees, their color dimmed, moved under a brooding sky. All the ...
Word spread because word will spread. Stories and secrets fight, stories win, shed new secrets, which new stories fight, and on.
I have stories. But stories are not facts.' 'I like stories. Love them, actually. Most of the time they're better than facts.
Like the playwrights of the Absurd, Woolrich recognized that a senseless story best mirrors a senseless existence.
The times have changed and now the story is old, but yet it all remains the same, a victim in the cold.
You had to be willing to fight in order for a love story to last a life time.
This story inspires me to contribute with something unique and exciting for my time.
It is gorgeously shot, and Andrew believes that the old school way of making films in the best way. Meaning: you have a story, and you stick to the story. You don't change and alter the story because of people who've invested in it and what to put pr...
'Cosmos' wouldn't deserve its place in primetime evening network television were it not a landscape on which compelling stories were told. People, when they watch TV in the evening, want to see stories, and science simply tells the best stories.
Catholic fiction of the type we're publishing is stories that we know faithful Catholics will enjoy - stories they can escape with, laugh at, cry with; stories that will enrich their lives.
In this universe, and this existence, where we live with this duality of whether we exist or not and who are we, the stories we tell ourselves are the stories that define the potentialities of our existence. We are the stories we tell ourselves.
