I would imagine that anyone picking up a book written by me would expect a fast-paced story that requires minimal effort to turn the pages. The reader would also be looking for some out-of-the-ordinary revelations along the way. At the end of the day...
This was not a love story that ended in tragedy. This was a tragedy that ended in a love story.
My story was not the story of a girl's broken dreams: it was the story of a girl who couldn't be broken.
All the best stories in the world are but one story in reality - the story of escape. It is the only thing which interests us all and at all times, how to escape.
We are essentially in the business of telling stories. We would like to think that most of our stories are basically human stories with sports as a backdrop.
I feel like 'Beware' is a heartfelt song - it's something that is definitely a story, something that I cultivated from personal stories, some from just other stories in just wanting to make a good song.
With movies, you are always in search is a good story, one that everyone will relate to and love. I love finding those stories and creating a visual world to tell the story.
In terms of writing characters or stories, at least initially, there's no difference between live-action and animation. A good story is a good story, whatever the medium.
When I read good stories, I want to write good stories too.
We're not keen on the idea of the story sharing its valence with the reader. But the reader's own life 'outside' the story changes the story.
Actors, we like stories, we like storytelling, we love being a part of the story, and if you give us a story that's interesting then we'll want to do it.
In all love stories the theme is love and tragedy, so by writing these types of stories, I have to include tragedy.
My job is to help the functioning of the story, not to draw attention to myself, but to make my characters function within the story, to work for the benefit of the story, to make the whole thing work.
The difficulty with Poe is not figuring out which of his stories rise to the level required of this collection, but rather which of his stories to exclude from it.
What is deemed as “his-story” is often determined by those who survived to write it. In other words, history is written by the victors...Now, with the help of the Roman historian Tacitus, I shall tell you Queen Boudicca’s story, her-story……
The true story of every person in this world is not the story you see, the external story. The true story of each person is the journey of his or her heart.
When it comes to who will like your writing; the ones who will like it will like it because they can relate to the story or can find a piece of their own story hidden within - regardless of the mistakes. The ones who won't, never will - no matter wha...
That story you're scared to share --- that story has the power to change both your life and the lives of others.
I think when people begin to tell their stories, everything changes, because not only are you legitimised in the telling of your story and are you found, literally, like you matter, you exist in the telling of your story, but when you hear your story...
Every life is a story. Every story has mistakes. If you focus too much on the mistakes, you will miss the story. In doing that, you are making a dreadful mistake yourself. Sometimes, it is the mistakes that enrich and give the story so much more mean...
You see, I was told stories, we were all told stories as kids in Nigeria. We had to tell stories that would keep one another interested, and you weren't allowed to tell stories that everybody else knew. You had to dream up new ones.
