We all know from growing up with TV that John Wells shows are usually very large ensembles with amazingly written characters. He tends to redefine the way stories are told in a specific genre, whether it's 'China Beach,' 'The West Wing,' or 'E.R.'
If you are writing a story and trying to draw an audience to come and hear you tell it, it's got to in some way relate to them. Who wants to come and hear about your specific problems? It's not therapy - it's supposed to be a communal piece of entert...
I like the character roles. Somewhere back there I really came to the conclusion in my mind that the difference between acting and stardom was major. And that if you become a star, people are going to go to see you. If you remain an actor, they're go...
One of the things I would like to do is make up stories that I would have enjoyed when I was a kid. So, if I'm thinking about an audience, it's usually a younger version of myself.
Perhaps my favourite story is 'Le Passe-Muraille' by Marcel Ayme. It's about a guy who wakes up with a weird faculty that means he can walk through walls. He's a very shy clerk, and he uses it to get revenge, or vent his frustration.
When I was your age — about, ooh, a thousand years ago — I loved a good bedtime story. The Three Little Sontarans. The Emperor Dalek's New Clothes. Snow White and the Seven Keys to Doomsday, eh? All the classics.
In campaign reporting more than any other kind of press coverage, reporters aren't just covering a story, they're a part of it - influencing outcomes, setting expectations, framing candidates - and despite what they tell themselves, it's impossible t...
Everything in 'The Tudors' is initially based on my historical research, and the fact is that the most unlikely scenes were the ones which were probably most based on reality. I prefer to be as real as possible, and there is so much of that story tha...
Fox News covers stories that some other news outlets won't cover. We ask some questions that other news outlets wouldn't ask. And sometimes that's perceived as bias by people who've grown up in a world where there are only liberal outlets.
The world of light and starry grace; within your mind I live to trace. Your thought’s speed in thunder’s glory, lightening my being with dream’s story. I embrace the tree carrying your name Your unspoken wish : the heart of fame.
The novels take longer to write than the picture book texts, and they do take a different sort of concentration. However, a very short, simple story that works well is just as exciting to me as any longer and more complex book.
I'm not really one of those people who goes and writes some big back story and agonizes over characters. I think you kind of can get it. For me personally, it's just kind of more instinctive. But I don't have kind of an acting background. I fell into...
What's fascinating to me is the way that multiple stories go into creating any world - a fictional world, but certainly the world that we live in as well. Of course, I cannot control that world. I can just control the fictional world.
Isn't it amazing how we always have to put our mark on things? And how, from the natural world, we find evidence over and over again that reminds us, not so much of the birds, but of our own stories and our own kinds of art?
There are so many fantastic stories and I want to bring Thor and Odin and the other gods into the modern world, just like I did with the Greeks and 'Percy Jackson.' I'll give the books an urban setting and have young people interacting with the Norse...
Only in very rare circumstances will you see something cut out of my first drafts. Maybe it's because of the way I write. I'm very focused on the logical progression of the story, and every character has a role to play.
My son craves picture books about Transformers and Ninja Turtles and the Hulk; they show one fantastic creature smashing or zapping another into smithereens on page after page. They are dull and ugly and show no interesting stories or models of confl...
When you judge other people without wanting to know the true story behind their actions, is usually when there is something inside of you that is so broken that if you found out what you believed about them was a lie, you wouldn’t want to accept it...
In order to master compassion, you have to spend time getting to know monsters. When you can do that you will see that there are no monsters, only people that acted like monsters because no one gave them the time or compassion to hear their story.
There is commerciality in storytelling, even in a film or a piece of literature. These things exist. That's why stories came to be: to hold attention and, while you're not looking, you'll get hopefully some nutritional value that the author has been ...
My brother Billy was the joke teller. My brother Jim had a really sharp, cutting wit. And the teller of long stories, that was my brother Ed. As a child, I just absorbed everything they said, and I was always in competition for the laughs.
