My mother used to push 'Wuthering Heights' on me as a boy, and I sensed from her breathy description of the story that it would make me laugh. I have no plans to find out if this is true.
I think about my audience when I write, to some extent. Thinking of writing for young adults, I try to keep the stories moving, never a dull moment, to hold their interest.
You may have heard the world is made up of atoms and molecules, but it's really made up of stories. When you sit with an individual that's been here, you can give quantitative data a qualitative overlay.
it's difficult to root for America when the villains of the story live in a ditch and are armed with jagged rocks. At some point in recent years they looked up from their international heroism to realize they'd alienated the entire world.
You become a different writer when you approach a short story. When things are not always having to represent other things, you find real human beings begin to cautiously appear on your pages.
My first serious attempts at writing were made in 1868, and I took up two very different lines of composition; I wrote some short stories of a very flimsy type, and also a work of a much more ambitious character, 'The Lives of the Black Letter Saints...
But everything written has style. The list of ingredients on the side of a cornflakes box has style. And everything literary has literary style. And style is integral to a work. How something is told correlates with - more - makes what's being told. ...
In my standup work, I always do these characters, older people who are just off to the side. It's easier to write a story about the guy who made it to the top, but the middle is so much more interesting, so much more murky.
I'm not a fan of Dr. Seuss's better-known work, but his fables leave me awe-struck. 'Ten Tall Tales' is a collection of stories where his trademark anarchy is combined with a tautness of writing that shines an affectionate yet uncompromising spotligh...
When I complete a novel I set it aside, and begin work on short stories, and eventually another long work. When I complete that novel I return to the earlier novel and rewrite much of it. In the meantime the second novel lies in a desk drawer.
The epistolary form is one of the hardest to write. It's so hard to show something that's bigger in a letter. Plus, you have to have the balance of how many letters are going to work to tell the story and how few are going to make it fall apart.
I always wanted to create this community that would come and tell their own story, shoot it - and watch them. The idea is to not have one entity who creates the work, the project, and another entity who consumes it; the idea is people create their ow...
I think 'Overlord' has definitely benefited because I work with every single level designer, and working where we have space to tell the story. That's what it's all about - getting writers and storytellers involved in the team and being a back and fo...
I've been intrigued by 'Le Monde' ever since work took me to Paris once, and I noted that on a day when there was some huge worldwide story, the paper led its front page on some cabinet changes in Turkey. It implied a magnificent disdain for the quot...
The first story I ever sold was to 'Argosy' magazine, which no longer exists. That issue also contained work by several other more celebrated writers, like Ray Bradbury - so I felt I had at least one toe on the ladder.
My father belongs to the generation that fought the war in the 1940s. When I was a kid my father told me stories - not so many, but it meant a lot to me. I wanted to know what happened then, to my father's generation. It's a kind of inheritance, the ...
I can't quite remember the exact moment when I became obsessed with writing a play about the seemingly endless war in the Democratic Republic of Congo, but I knew that I wanted to somehow tell the stories of the Congolese women caught in the cross-fi...
All the papers contained nothing but fantastic stories about the war. However, for several months we had been accustomed to war talk. We had so often packed our service trunks that the whole thing had become tedious.
By interviewing at least one veteran, you can preserve memories that otherwise might be lost. My uncle was a downed fighter pilot and P.O.W. in World War II, and I am looking forward to recording his story for inclusion in the project.
The life of the law has not been logic; it has been experience. The law embodies the story of a nation's development through many centuries, and it cannot be dealt with as if it contained only the axioms and corollaries of a book of mathematics.
This is what intimacy does to us over time. That's what a long marriage can do: It causes us to inherit and trade each other's stories. (p.237)
