Anybodys, Tomboy: [spitefully] Bernardo's girl wants to help? Action: Even a greaseball's got feelin's. Anybodys, Tomboy: But she wants to help get Tony! Anita: [panicking] NO!
Glad Hand, Social Worker Leading Dance: I want you all the form two circles. The boys on the outside and the girls on the inside. Action: Where will you be?
The fact that the movement was carried on by women who, for the most part, had no money of their own and were totally inexperienced in organization, and that they won their fight in about two generations, makes a story often dramatic and always worth...
And I like being able to go back and forth, and I don't really care if it's a small budget or big budget or studio or independent, as long as it's got a story that's compelling and there's enough money to make the picture.
As a screenwriter, there's so many layers you have to go through in order to tell your story. You have to write the script, get money for the script, shoot it, find distributors, make it into film festivals, all of that just to get to your audience.
The Dome is a metaphor that could mean anything - it could be nuclear fallout, terrorists - I've always been fascinated with stories where people's roles are flipped on their heads, be it the Wall Street guy, the techno guy, etc. All of those things ...
Stories come from other shows at other studios where only 2,000 rounds were actually used and the money for the other 3,000 went right into the studio pockets. Corners were cut and that production suffered. Knock wood, that hasn't happened to us.
The world, when you look at it, it just can't be random. I mean, it's so different than the vast emptiness that is everything else, and even all the other planets we've seen, at least in our solar system, none of them even remotely resemble the preci...
I have very strong Canadian connections. My daughter was born there a year and half ago. But because of the nature of my job, I need to be in countries where I can get the stories that I am looking at.
I wanted to be of service to the Peace League, and how could I better do so than by trying to write a book which should propagate its ideas? And I could do it most effectively, I thought, in the form of a story.
'The Piano Lesson' is very sophisticated, easily the most adult or complex material I've attempted. It's the first film I've written that has a proper story, and it was a big struggle for me to write. It meant I had to admit the power of narrative.
To power the country by building 186,000 fifty-story wind turbines - and running 19,000 miles of new transmission lines - just seems impractical and preposterous compared to the idea of building a hundred new nuclear facilities primarily on the sites...
Sometimes we need to step back and understand the power of video games. 'Dear Esther' does just that. Through visuals, audio, and narration, this title weaves a story around the player as they explore different areas in the game.
Growing new limbs, copying internal organs like a Xerox machine, exponential increases in computing power, better eyes and ears - I could read stories like this endlessly.
By accepting what the external structures have told us we need to do, we have given the power of our realities and ourselves to others. It is time to tell a new story for women, and that can only start with women.
People have a very proprietary relationship with Superman. It's important to respect the iconography and the canon, but at the same time, you have to tell a story. Once you land on who you think the character is and what his conflicts are, you have t...
In 'Hardflip,' you have a relationship where the father and son haven't seen each other in 18 years, but they find they're very alike: pigheaded, stubborn, passionate. It's a wonderful story of how you can't get away from how similar you and your chi...
I can sort of do what I want. Maybe I have to work harder to prove myself in some new relationship because they've heard some wacky stories about me. But at least I can get the meeting.
'I Am Number Four' is an action-packed adventure entwined with a romantic story. I play the role of John Smith. John wants to be a normal kid, but he is from a different planet and he has been given this destiny of becoming a warrior.
I loved fairy tales when I was a kid. Grimm. The grimmer the better. I loved gruesome gothic tales and, in that respect, I liked Bible stories, because to me they were very gothic.
Oscar Wilde always makes me smile - with respect and admiration. His short stories prove that it is possible to be both sarcastic, even cynical, but deeply compassionate. Just seeing the cover of one of Wilde's books in a bookshop makes me smile.
