She didn't say anything—at least, not with her mouth. Her eyes told me a different story. The only problem was that they each had a thousand tongues talking, each in a language I didn't speak.
Stop judging others as if you havnt done the same mistakes that they did. Remember there are eyes that watch you but these eyes are not hypocrite enough like yours. Shame on u as we know your story too
I looked at the people playing, walking, loafing, hurrying, or sauntering across the little park in front of us. How many terrible stories were there, just there in front of me, never to be spoken?
'The Chicken Soup for the Soul' books are the result of over 20 years of teaching seminars and giving speeches. The first book contains all of the stories that I used in my seminars to illustrate the points that I wanted to make.
As a writer, I had learned a lot on 'Margin Call' about embracing the weaknesses of a narrative and of a project. A story always has an inherent narrative weakness.
I'm half-black, half-white, so I basically put it like this: I can fit in anywhere. That's why I write so many stories from so many different perspectives, because I've seen so many.
You take out an injunction against somebody or some organisation and immediately news of that injunction and the people involved and the story behind the injunction is in a legal-free world on Twitter and the Internet. It's pointless.
There are two different stories in horror: internal and external. In external horror films, the evil comes from the outside, the other tribe, this thing in the darkness that we don't understand. Internal is the human heart.
There was an ITV television production of the second novel I wrote, called 'Murder of Quality.' It was a little murder story set in a public school - I'd once taught at Eton, and I used that stuff.
I think probably I'm quite sentimental; I like big emotional stories, I like being moved by things, but I think I'm very embarrassed by sentiment. I'm very embarrassed by corniness.
These 'mistakes' occur in my books for a reason. I have an agenda: I'm secretly trying to inspire kids to create their own stories and comics, and I don't want them to feel stifled by 'perfectionism.'
If the story wasn't overly long, I'd type it out. And I'd carry it around with me for a week and jot notes on it, and then I'd throw it away and do another one.
These incident acquaintances and the twisted stories that grew out of them, made John thinking that “Charles Dickens” was not just another pub, but a special place in the Universe, where life itself ties the knots.
That's why I don't understand why actors become arrogant and are completely unapproachable - because as an actor, the most valuable thing you can do is talk to people and hear their stories, because it'll all come in handy.
People forget that there's two sides to every story. Of course somebody is going to tell the side of it that makes them look good and exaggerate the rest to make everyone else look bad.
Print-on-demand publishing is the new farm system for new voices in fiction. Authors who have compelling things to say, who can market their stories in compelling ways, will succeed.
Novels are my favorite to write and read. I do like writing personal essays, too. I'm not really a short story writer, nor do I tend to gravitate to them as a reader.
People will turn their noses up at a sequel or that type of thing, but Pixar really works hard - if they're making a sequel - to make a sequel an original movie, to make it an original story.
The first 'Monsters, Inc.' represents starting at Pixar for me, I have a special place in my heart for it. So to be able to tell a story with those ideas is an honor.
In this film George presents issues that are important, essential and vital, whoever you are, about constitutional rights and the bedrock of a democracy. I am drawn to those kinds of stories because they inspire me - they are responsible to a populac...
The Little Friend is a long book. It's also completely different from my first novel: different landscape, different characters, different use of language and diction, different approach to story.
