Stefan Vanderhoof: [discussing the calendar] We're not gonna sell, just give it out to friends. Scott Donlan: I think we should try to sell it. Stefan Vanderhoof: Really? Scott Donlan: Yeah. Stefan Vanderhoof: Well, if we could give the money to Shih...
Money. The ultimate motivation. The ultimate way of keeping score.
Money talks, but tell me why all it says is just Goodbye.
Where large sums of money are concerned, it is advisable to trust nobody.
There's money, and then there's class. The two are often separated.
There's never any great risk as long as you have money.
Happiness is a true wealth, which no money can buy.
Never sleep with anyone whose troubles are worse than your own.
You pays your money and you takes your choice.
In 1982 when I showed up, the average age of the drivers in the series was something like 40, 41. The crowds were small. There was not much prize money. The competition wasn't very tight.
What I think tailors the creativity of most people are the rules that we learn from the age we are very small - in school, our parents.
If you think spreading money around by force seems like an odd definition of fairness, you're not alone.
No-one works for money alone and tapping into what people want from their careers and what they have to offer is essential.
You don't need to spend a lot of money on stuff when you have amazing architecture.
I don't believe that artists really are interested in money. That's not the motivation for art.
The forties, seventies, and the nineties, when money was scarce, were great periods, when the art world retracted but it was also reborn.
I was kind of freaked out by the art world in the 1980s. Just the money thing. All the competition over artists.
Art is a form of asset. Hedge-fund managers who have made money fast should diversify into other areas.
Art is maybe a subversive activity. There is a certain rebellion when you are an artist at heart, even if only in the art of living.
Everybody wanted me to be rich and famous on my art. And I said no to all the commercials and all the seedy offers.
I was in art school once a week from six to 16, which was essential in shaping my artistic sensitivity.
