I escaped to New York, and then L.A., but when I dream of home, I still dream of my old house in Holmdel.
I still have my agent back in Australia keeping an eye on things there, and we are trying to find the right job which will bring me home to shoot.
I always want objects in my home that have a connection to me or something I've loved. It's still stuff, but it's stuff that has meaning.
Modern candidates seem to have to live with political matters all the time. In my father's time, a politician's home was still his castle.
I've seen the ticket, and I still can't believe it. When I see the money, I hope I don't hit the floor.
I hope to goodness I would not still be working in the corporate world - the money is OK but it is no life at all.
You always make a film with the hope that all types of people will want to see your work and that it doesn't matter about your color, but unfortunately it still does.
Asia is still dominated by skyscrapers. I hope that, in European cities, it will become a declining trend. They were almost never necessary.
Life goes on, and I'm moving on to the next thing, but I hope the soaps that are still running will thrive. They have millions of loyal viewers.
So don't get me wrong, I love my songs, and I still love hearing them. That's history, baby.
I don't type on the computer or edit. Law students who went to law school really just a couple years after I did were brought up all on the computers and that's how they do it, but I was still part of the older school.
Our children await Christmas presents like politicians getting in election returns: there's the Uncle Fred precinct and the Aunt Ruth district still to come in.
I would say the most help I got was from my dad. My dad is a civil engineer in Switzerland; he's 90 years old now, so he's no longer active as a civil engineer, but still a very active person.
I'm in the Rock and Roll Hall of Fame on the One-Hit Wonder Wall. I'm still very troubled by the fact that I'm in the hall and my dad isn't.
My dad was a very violent, frightening and dangerous guy. Next to him, I was this vague kind of kid who walked around, as I still do, gathering impressions.
Sometimes I test myself saying, 'If I get a death sentence if I don't make this movie, would I still make this movie?'
So much of motion, is so much of life, and so much of joy, and to stand still, or get on but slowly, is death and the devil.
Australia as a nation, as a set of cities and some regional centres, that project died a death and we didn't get it up, but I still think there's merit in that.
Married or unmarried, young or old, poet or worker, you are still a dreamer, and will one time know, and feel, that your life is but a dream.
I still see myself on TV and think, 'Oh my God, I'm on a television, and there are millions of people watching,' and I get really nervous and embarrassed and insecure.
The tragedy of life and of the world is not that men do not know God; the tragedy is that, knowing Him, they still insist on going their own way.
