The thing about theater that always and still kind of makes me edgy is that you work and work and work and work, and then you're just in performance mode, and then you have to just be on; the work is done, and then you just have to do it over and ove...
It still amazes me when I look at some of the films I've been a part of, and some of the people I've gotten to meet and work with. I also look back sometimes and realize that I was lucky to have lived through them and even to have survived them, at t...
When you're still, and some actors are really brilliant at that, you bring a kind of energy to you as opposed to sending the energy out. There are some actors, like Gary Cooper or Kevin Spacey, that are absolutely brilliant - Gene Hackman is another ...
There was a second problem that was still not a technical problem... the project became classified. I couldn't work on it after having gone to all that trouble. I was considered a security risk, so I could not get a clearance.
To make films like 'X-Men' work commercially - and also have some class - is one of the hardest things there is to do. I want to be seen to be able to cross lots of genres and still be 'fair dinkum,' as we say in Australia, which means genuine and tr...
I'm the guy who'll drive 250 miles tonight and be at the gym tomorrow at 10 A.M., when people are still sleeping in. I'm the guy who'll fly to Australia and find a gym. Fly back and first thing I do off the plane is work out before I shower or eat.
Most Christians are still living with an Old Testament view of their heart. Jeremiah 17:9 says, 'My heart is deceitfully wicked.' No, it's not. Not after the work of Christ, because the promise of the new covenant is a new heart.
I still haven't heard anything from Apple about my hacks. There is a tool based on my work reverse-engineering Apple's FairPlay called jhymn that's been hosted on a U.S. server for over a year and nothing has happened.
And as part of my activity there, he had indicated he wanted me to work with him on that and conduct the various technical tests. And so a few months later I moved from Southern California up to the Monterey Peninsula where I still live today.
I think most artists find it difficult to part with their work but it's the parting that keeps us alive and keeps us working. In the case of the chariot, although it's been sold I actually still have it, just in another form.
I still sweat bullets if I go on The Tonight Show, but I tell myself, You can either have fun tonight or you can be shy and miserable. You ask my friends or anyone I work with now - nobody would say I was shy.
Every hour I spent on manual work, every hour I was humiliated in England or degraded has helped me because that's the same way other people feel in the townships here. People are still walking long distances and are working long hours.
I still audition a lot and work really hard to get work. So I don't really walk around feeling like I've made it. My short term goals are really just to be creatively stimulated and to be excited about material I might be working on.
I do a lot for PETA. I do a lot of things I think are really important, I volunteer at school and I'm still amazed I can pay my bills because I feel like I don't work that much, I really don't.
About the idea of a clash between cultures, between civilisations, I don't believe in it. It's something some political leaders tried to use, and that the media tried and are still trying to sell us, in order to simplify the world and their work.
I'm not afraid of hard work. I like it! It's the other bit - the not working - I find more problematic. If I'm not busy, I just get antsy. I've been this way since I was a child. Sitting still is like torture for me.
When you find something where you can give people a message and still make it an exciting movie, you get very, very excited about something. You probably even work harder than you normally do.
You can be very successful but still struggling financially, and it looked like I'd have to take a year or two off and find whatever menial labouring work you can get as a middle-aged, unskilled bald man.
Who I am, what I am, is the culmination of a lifetime of reading, a lifetime of stories. And there are still so many more books to read. I'm a work in progress.
Lesson to would-be fame seekers: It's not really a new world when it comes to celebrity. There are no shortcuts. It's still talent, perseverance and hard work. Even the speed and reach of the Net can't create lasting value and income overnight.
I still get enormous pleasure and a sense of fulfillment out of writing a book that I'm proud of. I see myself as a bit like a jewel-maker who can sit back and admire his work.
