And how can poetry stand up against its new conditions? Its position is perfectly precarious.
They need to learn poetry. They don't need to learn about poetry. They don't need to be told how to interpret poetry. They don't need to be told how to understand poetry. They need to learn it.
The more poetry you have in the head, the more poetry you will understand because you will be getting to the roots of what it is that makes people write poetry at all.
For whatever reason, people, including very well-educated people or people otherwise interested in reading, do not read poetry.
Probably all the attention to poetry results in some value, though the attention is more often directed to lesser than to greater values.
Poetry leads us to the unstructured sources of our beings, to the unknown, and returns us to our rational, structured selves refreshed.
Sometimes poetry, it is incomprehensible. But we need incomprehensible stuff! It is very healthy to talk about incomprehensible things! It is very healthy! We need it!
The poetry that sustains me is when I feel that, for a minute, the clouds have parted and I've seen ecstasy or something.
Whereas with poetry no one has to show anybody really, and you don't have to tell anyone you're doing it.
You can be intuitive when you've got a more expansive role. You can get into the poetry of telling the story rather than just pushing buttons.
The lines of poetry, the period of prose, and even the texts of Scripture most frequently recollected and quoted, are those which are felt to be preeminently musical.
The first duty of a human being is to assume the right functional relationship to society - more briefly, to find your real job, and do it.
I really always expected to somebody to make me happy and I don't think you can really enter into a relationship until you are happy.
I think I wanted to write a book about the relationship between the victim and perpetrator in which the victim agrees to remain silent.
I've never been very successful in a monogamous relationship, but I'm looking forward to the day when I can assume that responsibility.
I've discovered just how symbiotic the relationship is between writers, directors and actors. They ask the same questions and strip down texts in exactly the same way.
Doctrinal rightness and rightness of ecclesiastical position are important, but only as a starting point to go on into a living relationship - and not as ends in themselves.
I would stay on, but 'General Hospital' honestly doesn't seem to want that relationship with this character at the moment. They want little short doses during sweeps periods.
I had cars, houses, jewels, furs, and a husband who loved me, and a career I was happy with. But I found fulfillment in my relationship with Christ.
The relationship between reader and characters is very difficult. It is even more peculiar than the relationship between the writer and his characters.
I have a love/hate relationship with just about everything, but certainly with America.
